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“Song of Akuac”: Audio-letters from South Sudan: Tracing Dinka Networks, Connections, and Intimacies beyond the war zone.

Impey, Angela

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Abstract

This chapter explores the practice of song-making and sharing in the
culture of the Dinka people of South Sudan. It focuses in particular
on the global circulation of songs in the form of cassette audio-letters
which pass between South Sudan and the global Dinka diaspora. This
phenomenon of personal song-making has its roots in a culture of
transhumant pastoralism. However, against the recent historical
background of civil war and the forced migration of many millions
from their homes, this tradition has been repackaged to accommodate
extended geographies and to address a multitude of new concerns. Cassette audio-letters infuse old song structures with new concerns. They are also progressively replacing face-to-face interaction and live performance as ways of communicating and mediating private information. In this way, they have enabled clan groups who are scattered across the globe to retain intimate connections with one another
and with their cultural identities. The chapter concludes with a reflection on the “affiliative” power of the cassette tape itself, suggesting that the object has become inextricably implicated in the complexity of networks, connections, and intimacies of this contemporary global cultural practice.

Citation

Impey, A. (2015). “Song of Akuac”: Audio-letters from South Sudan: Tracing Dinka Networks, Connections, and Intimacies beyond the war zone. In R. Harris, & R. Pease (Eds.), Pieces of the Musical World. Sounds and Culture (195-207). Routledge

Publication Date Jan 1, 2015
Deposit Date Feb 22, 2018
Publisher Routledge
Pages 195-207
Book Title Pieces of the Musical World. Sounds and Culture
ISBN 9780415723114