DR Nikolai Johnsen nj18@soas.ac.uk
British Academy Postdoc Researcher
Abstract: Katō Kōko is the pivotal figure behind the World Heritage inscription process and the controversial historical narratives of “Sites of Japan’s Meiji Industrial Revolution.” Several of these industrial sites used Korean as well as Chinese and Allied POW forced labor during wartime, and Japan agreed to present narratives of the victims forced to work at the sites when they were inscribed as World Heritage in 2015. The plans for the Industrial Heritage Information Centre for these sites officially agreed to document the remembrance of these victims, but a July 2021 UNESCO/ICOMOS report stated that the Centre conveys a message that no one was forced to work at the relevant sites. Katō Kōko, Managing Director of the Information Centre, was central in planning and collecting source material for its exhibitions. She is also UNESCO’s direct contact as Managing Director of the Information Centre. Katō has created celebratory narratives of Japan that actively deny the history of its forced laborers. With the backing of powerful Japanese politicians, Katō has put on a false performance of cooperation for UNESCO and related international stakeholders.
Johnsen, N. (in press). Katō Kōko’s Meiji Industrial Revolution: Forgetting forced labour to celebrate Japan's World Heritage Sites - Part 1.pdf. Japan focus, 19(1),
Journal Article Type | Article |
---|---|
Acceptance Date | Dec 1, 2021 |
Online Publication Date | Dec 1, 2021 |
Deposit Date | Dec 18, 2021 |
Publicly Available Date | Dec 18, 2021 |
Electronic ISSN | 1557-4660 |
Peer Reviewed | Peer Reviewed |
Volume | 19 |
Issue | 1 |
Keywords | Japan World Heritage, Korean forced labor, Meiji industrialization, Tokyo Industrial Heritage Information Centre, Hashima/ Gunkanjima, Kato Koko, 加藤康子 |
Publisher URL | https://apjjf.org/2021/23/Johnsen.html |
Johnsen 2021a Katō Kōko’s Meiji Industrial Revolution - Forgetting forced labour to celebrate Japan's World Heritage Sites - Part 1.pdf.pdf
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The Sado Gold Mine and Japan’s ‘History War’ Versus the memory of Korean Forced Laborers
(2022)
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