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Eugene Palmer and Barbara Walker: Photography and the Black Subject

Hylton, Richard

Authors

Richard Hylton



Abstract

In Britain, black artists are arguably receiving the most sustained level of attention in a generation, from several historical exhibitions and international conferences to academic-based research initiatives and acquisitions by prestigious national museums. While offering artists a certain level of exposure, such initiatives have tended to privilege institutional agendas rather than the very artistic practices they purport to endorse. The paucity of genuine exhibition opportunities and significant publishing are factors that continue to bedevil a wider selection of black British artists. This article focuses on two specific exhibitions and artists: Eugene Palmer’s Didn’t It Rain (2018) and Barbara Walker’s Sub Urban: New Drawings (2015), both organized at the University for the Creative Arts, Farnham, UK. The author stresses the contrasting relationship to photography that each artist pursued in the making of their respective bodies of work and argues for a more engaged assessment of practice. The works of these artists deserve to be recognized for their fascinating and singular contributions to contemporary art practices.

Citation

Hylton, R. (2019). Eugene Palmer and Barbara Walker: Photography and the Black Subject. Nka: Journal of Contemporary African Art, 45, 100-113. https://doi.org/10.1215/10757163-7916904

Journal Article Type Article
Acceptance Date Jan 1, 2019
Publication Date Nov 1, 2019
Deposit Date Apr 6, 2022
Journal Nka: Journal of Contemporary African Art
Print ISSN 1075-7163
Electronic ISSN 2152-7792
Publisher Duke University Press
Peer Reviewed Peer Reviewed
Volume 45
Pages 100-113
DOI https://doi.org/10.1215/10757163-7916904
Keywords portraiture, figuration, Eugene Palmer, Barbara Walker, the black female image, Richard Samuel Roberts
Publisher URL https://read.dukeupress.edu/nka/article-abstract/2019/45/100/141369/Eugene-Palmer-and-Barbara-WalkerPhotography


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