Lost in Nostalgia: Modernity's Repressed Other

Ouyang, Wen-Chin

Abstract

This chapter explores the conceptual category constructed around the figure of the cultural other in narratives of modernity, and looks at the ways in which its presence and absence are entangled in the politics of cultural construction, or reconstruction. It focuses on the work of Adonis, an avant-garde Arab poet, literary critic, and cultural architect. It argues that modernity is not merely what Adonis asserts throughout his writing as the desired state of a conveniently transformed reality, but also a narrative trope, a site of focalization where cultural change, or transformation of world-view and lifestyle, is interrogated, debated, articulated, legitimated, and perhaps even universalized. It also shows how the linear narrative of modernity may be unravelled with the introduction as a conceptual category of the figure of cultural other, which takes several forms, each according to the argument being made and position legitimated.

Citation

Ouyang, W.-C. (2011). Lost in Nostalgia: Modernity's Repressed Other. In J. Parker, & T. Mathews (Eds.), Translation, Trauma, Tradition: The Classic and the Modern (191-210). Oxford University Press. https://doi.org/10.1093/acprof%3Aosobl/9780199554591.003.0013

• Publication Date: Jan 1, 2011
• Deposit Date: Mar 14, 2012
• Publisher: Oxford University Press
• Pages: 191-210
• Series Title: Classical Presences
• Book Title: Translation, Trauma, Tradition: The Classic and the Modern
• ISBN: 9780199554591
• DOI: https://doi.org/10.1093/acprof%3Aosobl/9780199554591.003.0013