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'Folds of the heart': performing life experience, emotion and empathy in Japanese tango music culture

Asaba, Yuiko

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Abstract

In the Argentine tango music culture of Japan, to have undergone many life experiences is considered critical in order to perform the powerful emotions of tango. Narratives by Japanese tango musicians stress ‘each musician’s feelings’ as crucial in shaping a good tango performance, while empathy is considered important in cultivating such feelings. Based on the author’s field research in Japan and Argentina, and by adding a different nuance to Carolyn Pedwell’s notions of transnational ‘affective relations’, this essay examines how Japanese historical narratives, rooted in aesthetic and moral ethos, fabricate discourses of tango authenticity by Japanese musicians. Taking a closer look at the ways in which Japanese musicians discuss tango’s emotion illuminates how Argentine tango’s aesthetics of emotion are given renewed meanings through the channelling of cultural and historical symbols in Japanese contexts. This article argues that Japanese tango musicians create their discourses surrounding tango authenticity at such transnational instances when aesthetics, affect and morality intersect.

Citation

Asaba, Y. (2019). 'Folds of the heart': performing life experience, emotion and empathy in Japanese tango music culture. Ethnomusicology Forum, 28(1), 45-65. https://doi.org/10.1080/17411912.2019.1587714

Journal Article Type Article
Acceptance Date Oct 1, 2018
Publication Date Apr 1, 2019
Deposit Date Jul 27, 2024
Publicly Available Date Jul 27, 2024
Journal Ethnomusicology Forum
Print ISSN 1741-1912
Electronic ISSN 1741-1920
Publisher Taylor and Francis Group
Peer Reviewed Peer Reviewed
Volume 28
Issue 1
Pages 45-65
DOI https://doi.org/10.1080/17411912.2019.1587714
Related Public URLs https://www.tandfonline.com/doi/full/10.1080/17411912.2019.1587714

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Folds of the Heart-Performing Life Experience, Emotion, and Empathy in Japanese Tango Music Culture-Yuiko Asaba.pdf (637 Kb)
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Copyright Statement
This is the version of the article accepted for publication in Ethnomusicology Forum, 28 (1). pp. 45-65 (2019), published by Taylor and Francis. Re-use is subject to the publisher’s terms and conditions.






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