Salacious Songs: khemṭā dancers and lyricists between Rampur, Lucknow, and Calcutta

Williams, Richard David

Abstract

Songbooks were an especially popular product in the colonial-era book industry of northern India. From cheap chapbooks to multi-volume tomes, collections of lyrics covered a range of tastes and genres, appealing to different social settings and performance practices. This article excavates the worlds of music-making invoked by these books through the case study of khemṭā. The khemṭā dancing girl was a low-status performer, associated with the playboy culture of early-nineteenth century Calcutta. Khemṭā lyrics were considered especially salacious and sensual, and the common view today is that the genre was geared towards titillation rather than artistry. Following the exile of Wajid ʿAli Shah of Awadh (r. 1847–1856) to Calcutta, this genre began to be choreographed and performed in the royal court, and the former king began to collect – and compose his own – khemṭā lyrics. By the late nineteenth century, khemṭā dancers were performing at fairs across northern India, and their verses were being compiled and printed in different scripts and languages.

Citation

Williams, R. D. (2022). Salacious Songs: khemṭā dancers and lyricists between Rampur, Lucknow, and Calcutta. International journal of Islam in Asia, 3(1/2), 182-204. https://doi.org/10.1163/25899996-20230017

• Journal Article Type: Article
• Acceptance Date: Jul 25, 2023
• Online Publication Date: Sep 14, 2023
• Publication Date: Jun 1, 2022
• Deposit Date: Sep 22, 2023
• Publicly Available Date: Sep 22, 2023
• Journal: International Journal of Islam in Asia
• Print ISSN: 2589-9988
• Electronic ISSN: 2589-9996
• Publisher: Brill Academic Publishers
• Peer Reviewed: Peer Reviewed
• Volume: 3
• Issue: 1/2
• Pages: 182-204
• DOI: https://doi.org/10.1163/25899996-20230017