Keith Howard
Amer Liu, K-Pop Tomboy
Howard, Keith; Laforgia, Paola
Authors
Paola Laforgia
Abstract
South Korean mainstream pop music, known simply as K-Pop, has become such a huge phenomenon in recent years that it is playing a decisive role in reshaping Korean culture and identity. Indeed, the K-Pop phenomenon is much more than just something musical, intertwining a complexity of sound, performance, ethnicity and gender. A contextual analysis needs therefore to take all these elements into consideration. This paper aims to show how K-Pop plays a crucial role in promoting ideologies, and defining gender roles. It does so by analyzing the music and image of the Taiwanese-American originating singer Amber Liu. Liu goes against the standard gender identification and behavior that Korean society imposes on women, and by doing so she can be said to represent a shift in the portrayal and performance of femininity through K-pop. But, how is her gender behavior tolerated, and to what extent is this a stage behavior required and promoted by her management company as a way to mark out difference?
Citation
Howard, K., & Laforgia, P. (2017). Amer Liu, K-Pop Tomboy. Kritika kultura (ADMU. Print), 29, 214-231. https://doi.org/10.13185/KK2017.02910
Journal Article Type | Article |
---|---|
Acceptance Date | Jun 18, 2017 |
Publication Date | Aug 1, 2017 |
Deposit Date | Jun 29, 2020 |
Publicly Available Date | Aug 2, 2117 |
Print ISSN | 1656-152X |
Peer Reviewed | Peer Reviewed |
Volume | 29 |
Pages | 214-231 |
DOI | https://doi.org/10.13185/KK2017.02910 |
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