July Scott Blalack
Al-Shaikh Māʾ al-ʿAynayn: Maghrebi-Saharan literary geographies on the eve of colonization
Blalack, July Scott
Authors
Abstract
Although the 19th-century Sufi figure al-Shaikh Maʾ al-ʿAynayn led a major resistance movement in what is now southern Morocco, northern Mauritania, and the disputed Western Sahara while also becoming one of the most widely printed authors on the Fez lithographic press, very little information on his literary and scholarly output exists in Europhone sources. This is largely due to the marginalization of texts inconsistent with Middle East-centered narratives of reform and revival inspired by the encounter with Europe. As part of a larger effort to read Maghrebi literatures on their own terms rather than imposing European or Middle Eastern timelines and concepts, this article reads Maʾ al-ʿAynayn’s 1858 riḥla (travelogue) to Mecca and shows how he conceptualized his world and traveled within it, including local, regional, and transregional elements.
Citation
Blalack, J. S. (2020). Al-Shaikh Māʾ al-ʿAynayn: Maghrebi-Saharan literary geographies on the eve of colonization. Journal of the African Literature Association, 14(3), https://doi.org/10.1080/21674736.2020.1812207
Journal Article Type | Article |
---|---|
Acceptance Date | Feb 19, 2020 |
Publication Date | Nov 12, 2020 |
Deposit Date | Dec 11, 2020 |
Publicly Available Date | Dec 11, 2020 |
Journal | Journal of the African Literature Association |
Print ISSN | 2167-4736 |
Electronic ISSN | 2167-4744 |
Publisher | Taylor and Francis Group |
Peer Reviewed | Peer Reviewed |
Volume | 14 |
Issue | 3 |
DOI | https://doi.org/10.1080/21674736.2020.1812207 |
Keywords | Mauritania, Maghreb, Maghrib, hajj, rihla, travelogue, 19th century, Arabic literature, |
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2020 The Author(s).
This is an Open Access article distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way
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