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Saved by the Nerd: Otaku and the space of family in Summer Wars

Cervelli, Filippo

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Abstract

This article analyses Hosoda Mamoru’s anime film Summer Wars (2009) through its rearticulation of the lonely male otaku. A highly debated issue in and outside of Japan, the otaku community of fans shares with nerds associations with obsessive interests, technology, and lack of social skills. Summer Wars provides a counternarrative to such discourses by setting up a story of interpersonal ties with an otaku at its centre. Furthermore, the film displaces this story to rural Japan, thus recontextualising the otaku’s typical highly technological urban environment by relocating one of them amidst a large family and historical continuity. Through this emblematic shift in space, in opposition to the city at multiple levels, Summer Wars takes a novel approach in representing the otaku’s potential for sociability, while still retaining the very features that may categorise him as an otaku; at the same time, the film uses otaku themes to create an imaginative reflection on the importance of interpersonal familial bonds, recuperated through the space of the native place.

Citation

Cervelli, F. (2022). Saved by the Nerd: Otaku and the space of family in Summer Wars. Exchanges (Coventry), 9(3), 203-225. https://doi.org/10.31273/eirj.v9i3.887

Journal Article Type Article
Acceptance Date Mar 24, 2022
Publication Date Aug 1, 2022
Deposit Date Oct 14, 2022
Publicly Available Date Oct 14, 2022
Journal Exchanges: The Interdisciplinary Research Journal
Electronic ISSN 2053-9665
Peer Reviewed Peer Reviewed
Volume 9
Issue 3
Pages 203-225
DOI https://doi.org/10.31273/eirj.v9i3.887
Keywords nerd, otaku, anime, Summer Wars, Mamoru Hosoda, family
Publisher URL https://exchanges.warwick.ac.uk/index.php/exchanges/article/view/887

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