DR Mike Thomas mt97@soas.ac.uk
Postdoctoral Research Fellow
Cinema in Ethiopia : Genre, Melodrama and the Commercial Amharic Film Industry
Thomas, Michael William
Authors
Contributors
PROF Lindiwe Dovey ld18@soas.ac.uk
Supervisor
Abstract
This thesis explores the emergence of the commercially viable Amharic film industry in Ethiopia, investigating its system of genres and the manifestation of an Ethiopian-style melodrama. Emerging in 2002 from an economic scenario devoid of government support and dependent on entrepreneurial action, the commercial Amharic film industry is centred in Addis Ababa, Ethiopia’s capital, where cinemas are devoted to screening the latest local releases to a young cinemagoing public. Film genre terms in Amharic are strikingly visible in the Ethiopian context. They often appear written on film posters, voiced in television and radio trailers and denoted in cinema listings. This experience of locally produced and consumed popular cinema and the prevalence of Amharic genres to its organisation offers an alternative case study to mainstream film cultures and experiences of cinema in Africa and around the world, while also presenting a point of keen comparative interest. Enabled through ethnographic and textual research methods, this study applies a sustained and detailed appreciation of the history of Ethiopia, its specific cultural milieu and social orientations as central to understanding the nature of Amharic cinema. Contributing a historically and culturally conditioned study helps to focus on the role of local specificities in understandings of cinema in a field experiencing a trend towards more transnational approaches. Balancing an awareness of both local and global interactions through a study of genre and melodrama and their usages by producers and consumers in the Ethiopian case study reveals new conceptualisations of these phenomena and their interdependency. The research findings detail the affective characteristics that delineate most Amharic genres and the role an Ethiopian-style melodrama plays in this popular cinema, negotiating between romantic, familial, patriotic and spiritual notions of ፍቅር - fiker/love.
Citation
Thomas, M. W. Cinema in Ethiopia : Genre, Melodrama and the Commercial Amharic Film Industry. (Thesis). SOAS, University of London
Thesis Type | Thesis |
---|---|
Deposit Date | May 13, 2020 |
Publicly Available Date | May 13, 2020 |
DOI | https://doi.org/10.25501/SOAS.00032791 |
Additional Information | Number of Pages : 299 |
Award Date | Jan 1, 2019 |
Files
4738_Thomas.pdf
(6.7 Mb)
PDF
Licence
http://creativecommons.org/licenses/by-nc-nd/4.0/
Publisher Licence URL
http://creativecommons.org/licenses/by-nc-nd/4.0/
You might also like
Transforming Documentary Film Cultures in East Africa: Judy Kibinge and Docubox
(2025)
Book Chapter
Contemporary African Screen Worlds
(2025)
Book
From One Woman to Another: The Screen Worlds of Bongiwe Selane
(2023)
Digital Artefact
Intermediality in Academia: Creative Research through Film
(2023)
Journal Article
Out of the Box: The Screen Worlds of Judy Kibinge
(2023)
Digital Artefact
Downloadable Citations
About SOAS Research Online
Administrator e-mail: outputs@soas.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2025
Advanced Search