DR Griseldis Kirsch gk10@soas.ac.uk
Reader in in Contemp Japanese Cult
Nostalgia for 'Asian' Traditions and Energy: Encounters with Chinese and Koreans in Japanese TV Drama
Kirsch, Griseldis; Gössmann, Hilaria
Authors
Hilaria Gössmann
Citation
Kirsch, G., & Gössmann, H. (2014). Nostalgia for 'Asian' Traditions and Energy: Encounters with Chinese and Koreans in Japanese TV Drama. [Global Ethnographic. Vol. 2]. London, UK
Digital Artefact Type | Blog Post |
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Publication Date | Nov 15, 2014 |
Deposit Date | Oct 9, 2007 |
Publicly Available Date | Jan 22, 2025 |
Book Title | Japan's Possible Futures |
Keywords | Japan, China, Korea, Asia, media, Japanese TV drama, dorama, Asia boom |
Additional Information | References : Antoni, Klaus (2003): “’Wir Asiaten’ (Ware ware Ajiajin). Ishihara Shintarō und die Ideologie des Asianismus.” (We Asians. Ishihara Shitarō and the Ideology of Asianism) In: Amelung, Iwo, Matthias Koch et al. (eds.): Selbstbehauptungsdiskurse in Asien. China – Japan – Korea. (Discourses of Self-Sustainment in Asia. China – Japan – Korea) München: Iudicium, pp. 159-180. Befu Harumi (2001): Hegemony of Homogeneity. Melbourne: Trans Pacific Press. Faulstich, Werner (1996): “Zwischen Exotik, Heil und Horror. Das Fremdartige als Dramaturgie von Kultur.“ (Between Exoticism, Salvation and Horror. Otherness as Dramaturgy of Culture) In: Hess-Lüttich, Ernest W.B. (ed.): Fremdverstehen in Sprache, Literatur und Medien. (Understanding the ‘Other’ in Linguistics, Literature and Media) Cross-Cultural Communications, Vol. 4. Frankfurt a. M. (et al.): Peter Lang, pp. 413-427. Fujimoto Yuki, Asano Taeko et al. (2000): Nissenen no koi. (Love in the Year 2000) Tōkyō: Kadokawa Shoten. Gatzen, Barbara (2002): “NHK’s Visions of Asia.” Images of Asia in Japanese Mass Media, Popular Culture and Literature. Papers presented at the 2nd International Convention of Asian Scholars (ICAS 2) in Berlin, Germany, August 9–12, 2001. In: Electronic Journal of Contemporary Japanese Studies (Online), World Wide Web, URL: <http://www.japanesestudies.org.uk/ICAS2/Gatzen.pdf>, published March 25, 2002. Gatzen, Barbara und Hilaria Gössmann (2003): “Fernsehen als Spiegel und Motor des Wandels? Zur Konstruktion von China und Korea in japanischen Dokumentarsendungen und Serien.” (Television as Mirror and Driving Force of Change? On the Construction of China and Korea in Japanese Documentaries and Series) In: Gössmann, Hilaria und Franz Waldenberger (eds.): Medien in Japan. Gesellschafts- und kulturwissenschaftliche Perspektiven. (Media in Japan. Social and Cultural Scientist Perspectives) Hamburg: Institut für Asienkunde, pp. 244-280. 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Korean and Korean-Japanese Characters in Japanese Television Dramas of 2001 and 2002) In: Gössmann, Hilaria (ed.): Interkulturelle Begegnungen in Literatur, Fernsehen und Film. Ein japanisch-deutscher Vergleich. (Intercultural Encounters in Literature, Television and Film. A Japanese-German Comparison) München: Iudicium. (forthcoming) Kirsch, Griseldis (2002): “Die Darstellung nicht-japanischer asiatischer Figuren in der japanischen Fernsehwerbung.” (The Construction of non-Japanese Asian Characters in Japanese Television Commercials.) Beitrag der 4. Brühler Tagung junger Ostasienexperten 2002. (Paper presented at the 4th Conference of young experts of East Asian Studies in Brühl, Germany in May 2002). World Wide Web, URL: http://www.asienkunde.de/nachwuchs/noah2002/Kirsch.pdf, published October 2002. Kirsch, Griseldis (2008): “Jiyū no shōchō toshite no Ajia? Terebi dorama ni okeru josei no ibunka sesshoku o chūshin ni.” (Asia as a Vision of Freedom? Intercultural Encounters of Women in Television Dramas) In: Yonaha Keiko, Iwami Teruyo and Hilaria Gössmann: Josei to ibunka sesshoku. (Women and Intercultural Encounters) Kashiwa: Reitaku Daigaku Shuppansha. (forthcoming) Kotani Satoshi (2004): “Why Are Japanese Youth Today so Passive?” In: Mathews, Gordon and Bruce White (eds.): Japan’s Changing Generations. Are Young People Creating a New Society? London, New York: Routledge, pp. 41-45. Lee Dong-Hoo (2004): “Transnational Imagination. Co-Produced Dramas and National Identity.” In: Kim Shin-Dong (ed.): Culture Industry and Cultural Capital. Transnational Media Consumption and the Korean Wave in East Asia. Conference Proceedings. Seoul: Institute for Communication Arts and Technology Hallym University, pp.77-89. Lee Eun-Jeung (2004): “Korean Wave (Hallyu). Korea als neue Kulturmacht in Asien? (Korean Wave (Hallyu): Korea as a New Cultural Power in Asia?) In: Bochumer Jahrbuch für Ostasienforschung 28 (2004), pp. 225-251. Matsuo, Yōichi (2002): Terebi dorama o yomu. Eizō no naka no nihonjinron (Reading Television Drama. Nihonjinron within Visual Media) Tōkyō: Metropolitan. Moeran, Brian (2000): “Commodities, Cultures and Japan’s Corollanization of Asia.” In: Marie Söderberg and Ian Reader (eds.): Japanese Influences and Presences in Asia. Richmond/Surrey: Curzon Press, pp. 25-50. Mōri Yoshitaka (ed.) (2004): Nisshiki Hanliu. ‘Fuyu no sonata’ to nikkan taishūbunka no genzai. (Korean Wave Japanese Style. ‘Winter Sonata’ and the Present Situation of Japanese-Korean Popular Culture) Tokyo: Serika Shobō. Muramatsu Yasuko (1979): Terebi dorama no joseigaku. Women’s Studies and Television Drama) Tōkyō: Sōtakusha. Muramatsu Yasuko (1986): “For Wives on Friday. Women’s Roles in TV Dramas.” In: Japan Quarterly 33:2, pp. 159-163. Nakane Chie (1985): Die Struktur der japanischen Gesellschaft. Translated by Jobst-Mathias Spannagel and Heide Günther-Spannagel. Frankfurt a.M.: Suhrkamp. Ochiai Emiko (2000): “Debates over the Ie and the Stem Family. Orientalism East and West.” In: Japan Review 12 (2000), pp. 105-128. Ōta Tōru (2004): “Producing (Post-)Trendy Japanese TV Dramas.” In: Iwabuchi Kōichi (ed.): Feeling Asian Modernities. Transnational Consumption of Japanese TV Dramas. Hong Kong: Hong Kong UP, pp. 69-86. Penn, Wm. (2003): A The Couch Potato’s Guide to Japan. Inside the World of Japanese TV. N.p.: Forest River Press. Schilling, Mark (1999). Contemporary Japanese Film. New York (et al.): Weatherhill. Shioya Chieko (1998a): “Die Familienbeziehungen in den Fernsehdramen. Eine Analyse der Sendungen vom Oktober 1994.“ (Family Relations in TV Dramas. An Analysis of all Programmes Broadcast in October 1994) Translated by Renate Jaschke. In: Gössmann, Hilaria (Hg.): Das Bild der Familie in den japanischen Medien. (The Image of the Family in the Japanese Media) München, Iudicium, pp. 129-146. Shioya Chieko (1998b): “Terebi dorama ni miru Nihonsei kazokuzō.” (The Image of the Japanese Family as Represented in TV Dramas) In: Gössmann, Hilaria, Muramatsu Yasuko (Hg.): Media ga tsukuru jendā. Nichidoku no danjo, kazokuzō o yomitoku. Das Geschlecht als Konstrukt der Medien. (Gender Constructions in the Media. A Japanese-German Comparative Analysis on the Image of Men, Women and Family.) Tōkyō: Shinyōsha, pp. 78-103. Stibbe, Arran (2004): “Disability, Gender and Power in Japanese Television Drama.” In: Japan Forum 16:1 (January 2004), pp. 21-36. “‘Taiwan dorama’ shizuka na ninki.” (The Silent Popularity of Taiwanese Dramas) In: Asahi Shinbun, Mai 25, 2005, p. 29. Tokyo News Mook (ed.) (1994): Terebi dorama zenshi 1954-1994. (A Complete History of Japanese Television Drama 1954-1994) Tōkyō: Tokyo News Tsūshinsha. Yomota Inuhiko (2001): Ajia no naka no Nihon eiga. (Japanese Film in Asia) Tōkyō: Iwanami Shoten. On the World Wide Web: The Statistical Yearbook of Japan 2004: <http://www.stat.go.jp/English/data/nenkan.htm>, accessed October 8, 2004. |
External URL | https://globalethnographic.com/index.php/nostalgia-for-asian-traditions-and-energy-encounters-with-chinese-and-koreans-in-japanese-tv-dramas/ |
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