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In the Name of Internationalism: The Cinematic Memorialization of Norman Bethune in Socialist China

Lu, Xiaoning

Authors



Contributors

Aga Skrodzka
Editor

Katarzyna Marciniak
Editor

Abstract

The red martyr holds a special place in the collective memory of communist nations. In the Chinese pantheon of red martyrs, Norman Bethune, a renowned Canadian doctor who died during his selfless support of China’s anti-imperialist war against Japan, occupies a unique place. Bethune was sacralized as the ultimate symbol of internationalism by Mao Zedong in his essay “In Memory of Norman Bethune.” Much of the commemorative art about Bethune inevitably entails performing exegetic exercises of the Mao text. Using the 1962 compilation documentary In Memory of Norman Bethune and the 1964 biopic Doctor Bethune as examples, this article examines specific narrative strategies utilized in the cinematic memorialization of Bethune. It argues that despite their diverging styles and innovative engagements with the Mao text, both films perpetuate the political reification of the spirit of Bethune as proletarian internationalism incompatible with humanitarianism, while consolidating the political power of central authorities.

Citation

Lu, X. (in press). In the Name of Internationalism: The Cinematic Memorialization of Norman Bethune in Socialist China. In A. Skrodzka, X. Lu, & K. Marciniak (Eds.), The Oxford Handbook of Communist Visual Cultures (341-363). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190885533.013.13

Acceptance Date Apr 10, 2019
Online Publication Date Oct 1, 2020
Deposit Date May 16, 2019
Publicly Available Date May 16, 2019
Publisher Oxford University Press
Pages 341-363
Book Title The Oxford Handbook of Communist Visual Cultures
ISBN 9780190885533
DOI https://doi.org/10.1093/oxfordhb/9780190885533.013.13
Keywords Norman Bethune, red martyr, internationalism, humanism, Chinese Socialist Cinema, cinematic memorialization, Zhang Junxiang
Related Public URLs https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780190885533.001.0001/oxfordhb-9780190885533-e-13

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Copyright Statement
This is the version of the chapter accepted for publication in The Oxford Handbook of Communist Visual Cultures published by Oxford University Press.






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