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Songs between cities: Listening to courtesans in colonial north India

Williams, Richard David

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Abstract

In the aftermath of 1857, urban spaces and cultural practices were transformed and contested. Regional royal capitals became nodes in a new colonial geography, and the earlier regimes that had built them were recast as decadent and corrupt societies. Demolitions and new infrastructures aside, this transformation was also felt at the level of manners, sexual mores, language politics, and the performing arts. This article explores this transformation with a focus on women's language, female singers and dancers, and the men who continued to value their literary and musical skills. While dancing girls and courtesans were degraded by policy-makers and vernacular journalists alike, their Urdu compositions continued to be circulated, published, and discussed. Collections of women's biographies and lyrics gesture to the importance of embodied practices in cultivating emotional positions. This cultivation was valued in late Mughal elite society, and continued to resonate for emotional communities of connoisseurs, listeners, and readers, even as they navigated the expectations and sensibilities of colonial society.

Citation

Williams, R. D. (2017). Songs between cities: Listening to courtesans in colonial north India. Journal of the Royal Asiatic Society, 27(4), 591-610. https://doi.org/10.1017/S1356186317000311

Journal Article Type Article
Acceptance Date Jan 24, 2017
Online Publication Date Sep 26, 2017
Publication Date Sep 26, 2017
Deposit Date Oct 22, 2017
Publicly Available Date Oct 22, 2017
Journal Journal of the Royal Asiatic Society
Print ISSN 1356-1863
Electronic ISSN 1474-0591
Publisher Cambridge University Press
Peer Reviewed Peer Reviewed
Volume 27
Issue 4
Pages 591-610
DOI https://doi.org/10.1017/S1356186317000311

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