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Introduction to “Cultural Offensive of the Working Classes”

Savage, Polly

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Abstract

In April 1977, after almost two years in power, the Front for the Liberation of Mozambique (Frelimo) announced their plans for the culture of the new nation. Pitched in military terms, and announced in the document translated for the first time here, the “Cultural Offensive of the Working Classes” drew on Marxist theory to define a revolutionary new culture, and to deploy this culture as a weapon in the ongoing struggle to build a postcolonial, postcapitalist society.

Citation

Savage, P. (2024). Introduction to “Cultural Offensive of the Working Classes”. ARTMargins, 13(1), 139-142. https://doi.org/10.1162/artm_a_00377

Journal Article Type Article
Acceptance Date Sep 9, 2023
Publication Date Apr 10, 2024
Deposit Date Apr 22, 2024
Publicly Available Date Apr 22, 2024
Journal ARTMargins
Print ISSN 2162-2574
Electronic ISSN 2162-2582
Publisher MIT Press
Peer Reviewed Peer Reviewed
Volume 13
Issue 1
Pages 139-142
DOI https://doi.org/10.1162/artm_a_00377
Keywords Socialist cultural policy, Mozambique, Revolution, Post-colonial art

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Art Margins Polly Savage Cultural Offensive of the Working Classes Introduction.pdf (261 Kb)
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Copyright Statement
This is the version of the article accepted for publication in ARTMargins, 13 (1). pp. 139-142 (2024), published by MIT Press. Re-use is subject to the publisher’s terms and conditions.





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