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The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival

Ferrari, Rossella

The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival Thumbnail


Authors

Rossella Ferrari



Abstract

The multimedia performances of the Architecture Is Art Festival explore the connections of architecture, theatre, and architecture in theatre to voice a number of concerns relating to heritage preservation and technological development, historical memory and current politics. The interrogatives raised by these performances are intimately connected with the ontology of Hong Kong identity and testify to the spirit of traveling—through cultures, media, and disciplines—and the attitude of questioning that has become synonymous with Zuni Icosahedron.

Citation

Ferrari, R. (2011). The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival. TDR (1988), 55(1), 137-148. https://doi.org/10.1162/DRAM_a_00053

Journal Article Type Article
Publication Date Feb 1, 2011
Deposit Date Feb 21, 2011
Publicly Available Date Mar 5, 2020
Journal TDR: The Drama Review
Print ISSN 1054-2043
Electronic ISSN 1531-4715
Publisher MIT Press
Peer Reviewed Peer Reviewed
Volume 55
Issue 1
Pages 137-148
DOI https://doi.org/10.1162/DRAM_a_00053
Keywords Architecture, Theatre, Hong Kong, Zuni Icosahedron

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Copyright Statement
© 2011 New York University and the Massachusetts Institute
of Technology. This is the published version of record. For information on re-use, please refer to the publisher’s terms and conditions.





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