The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival

Ferrari, Rossella

Abstract

The multimedia performances of the Architecture Is Art Festival explore the connections of architecture, theatre, and architecture in theatre to voice a number of concerns relating to heritage preservation and technological development, historical memory and current politics. The interrogatives raised by these performances are intimately connected with the ontology of Hong Kong identity and testify to the spirit of traveling—through cultures, media, and disciplines—and the attitude of questioning that has become synonymous with Zuni Icosahedron.

Citation

Ferrari, R. (2011). The Stage as a Drawing Board: Zuni Icosahedron’s Architecture Is Art Festival. TDR (1988), 55(1), 137-148. https://doi.org/10.1162/DRAM_a_00053

• Journal Article Type: Article
• Publication Date: Feb 1, 2011
• Deposit Date: Feb 21, 2011
• Publicly Available Date: Mar 5, 2020
• Journal: TDR: The Drama Review
• Print ISSN: 1054-2043
• Electronic ISSN: 1531-4715
• Publisher: MIT Press
• Peer Reviewed: Peer Reviewed
• Volume: 55
• Issue: 1
• Pages: 137-148
• DOI: https://doi.org/10.1162/DRAM_a_00053
• Keywords: Architecture, Theatre, Hong Kong, Zuni Icosahedron