Andre Holzapfel
Humanities and Engineering Perspectives on Music Transcription:
Holzapfel, Andre; Benetos, Emmanouil; Killick, Andrew; Widdess, Richard
Authors
Abstract
Music transcription is a process of creating a notation of musical sounds. It has been used as a basis for the analysis of music from a wide variety of cultures. Recent decades have seen an increasing amount of engineering research within the field of Music Information Retrieval that aims at automatically obtaining music transcriptions in Western staff notation. However, such approaches are not widely applied in research in ethnomusicology. This article aims to bridge interdisciplinary gaps by identifying aspects of proximity and divergence between the two fields. As part of our study, we collected manual transcriptions of traditional dance tune recordings by eighteen transcribers. Our method employs a combination of expert and computational evaluation of these transcriptions. This enables us to investigate the limitations of automatic music transcription (AMT) methods and computational transcription metrics that have been proposed for their evaluation. Based on these findings, we discuss promising avenues to make AMT more useful for studies in the Humanities. These are, first, assessing the quality of a transcription based on an analytic purpose; secondly, developing AMT approaches that are able to learn conventions concerning the transcription of a specific style; thirdly, a focus on novice transcribers as users of AMT systems; and, finally, considering target notation systems different from Western staff notation.
Citation
Holzapfel, A., Benetos, E., Killick, A., & Widdess, R. (2022). Humanities and Engineering Perspectives on Music Transcription:. Digital Scholarship in the Humanities, 37(3), 747-764. https://doi.org/10.1093/llc/fqab074
Journal Article Type | Article |
---|---|
Acceptance Date | Jul 14, 2021 |
Online Publication Date | Oct 23, 2021 |
Publication Date | Sep 1, 2022 |
Deposit Date | Jul 21, 2021 |
Publicly Available Date | Jul 21, 2021 |
Journal | Digital Scholarship in the Humanities |
Print ISSN | 2055-7671 |
Electronic ISSN | 2055-768X |
Publisher | Oxford University Press |
Peer Reviewed | Peer Reviewed |
Volume | 37 |
Issue | 3 |
Pages | 747-764 |
DOI | https://doi.org/10.1093/llc/fqab074 |
Keywords | music transcription, automatic music transcription, ethnomusicology, music information retrieval, music notation |
Files
fqab074.pdf
(583 Kb)
PDF
Licence
http://creativecommons.org/licenses/by/4.0/
Publisher Licence URL
http://creativecommons.org/licenses/by/4.0/
Copyright Statement
This is an Open Access article distributed under the terms of the Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted reuse, distribution, and reproduction in any medium, provided the original work is properly cited.
You might also like
Gũlā: Music of a Sacred Time
(2022)
Digital Artefact
Western listeners detect boundary hierarchy in Indian music: a segmentation study
(2021)
Journal Article
Downloadable Citations
About SOAS Research Online
Administrator e-mail: outputs@soas.ac.uk
This application uses the following open-source libraries:
SheetJS Community Edition
Apache License Version 2.0 (http://www.apache.org/licenses/)
PDF.js
Apache License Version 2.0 (http://www.apache.org/licenses/)
Font Awesome
SIL OFL 1.1 (http://scripts.sil.org/OFL)
MIT License (http://opensource.org/licenses/mit-license.html)
CC BY 3.0 ( http://creativecommons.org/licenses/by/3.0/)
Powered by Worktribe © 2025
Advanced Search