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The Emergence of the Korean Art Collector and the Korean Art Market

Horlyck, Charlotte

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Abstract

Articulating the shifting interests in Korean art and offering new ways of conceiving the biases that initiated and impacted its collecting, this book traces the rise of the modern Korean art market from its formative period in the 1870s through to its peak and subsequent decline in the 1930s.

The discussion centres on the collecting of Koryŏ celadon ceramics as they formed the focal point of commercial exchanges of Korean artefacts and explores how their acquisition and ownership formed part of the complex power relationship that played out between the Koreans, Japanese, Americans, and Europeans. Drawing on a wide range of primary sources, the volume analyses collectors’ acquisition practices, arguing that their fascination with ceramics from the Koryŏ kingdom (918–1392) was shaped not only by the aesthetic appeal of the objects but also by biased perceptions of the Korean peninsula, its history, and people.

The book will be of interest to scholars working in art history, social history, cultural history, Korean studies, collection studies, museum studies, Korean history, and Asian studies

Citation

Horlyck, C. (2024). The Emergence of the Korean Art Collector and the Korean Art Market. Routledge. https://doi.org/10.4324/9781003016564

Book Type Authored Book
Online Publication Date Aug 14, 2024
Publication Date Aug 29, 2024
Deposit Date Jun 17, 2025
Publicly Available Date Jun 17, 2025
Publisher Routledge
Series Title The Histories of Material Culture and Collecting, 1700-1950
Series ISSN 2641-0966
ISBN 9781003016564
DOI https://doi.org/10.4324/9781003016564
Publisher URL https://www.taylorfrancis.com/books/oa-mono/10.4324/9781003016564/emergence-korean-art-collector-korean-art-market-charlotte-horlyck

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