All Outputs (4)

Accumulating Meanings, Transcending Borders: Appropriations and Transactions of “Hindu-Buddhist” Materials in Early Modern Indonesia (2025)
Thesis
Panggah, A. Accumulating Meanings, Transcending Borders: Appropriations and Transactions of “Hindu-Buddhist” Materials in Early Modern Indonesia. (Thesis). SOAS University of London

This thesis focuses on the afterlives of ancient materials in Indonesia, a project aiming to contribute to decolonising the field of Indonesian art history and archaeology.1 I pursue this essential purpose by adopting a specific local epistemological... Read More about Accumulating Meanings, Transcending Borders: Appropriations and Transactions of “Hindu-Buddhist” Materials in Early Modern Indonesia.

Transactions in Teaching Tembang Sunda Cianjuran and Jaipongan in West Java (2024)
Thesis
Walsh, V. A. Transactions in Teaching Tembang Sunda Cianjuran and Jaipongan in West Java. (Thesis). SOAS University of London

This thesis examines the transmission of Sundanese tembang Sunda Cianjuran song and jaipongan dance in Bandung, West Java. The author investigates exchanges of divergent forms of knowledge and power between teachers and students. As well as teaching... Read More about Transactions in Teaching Tembang Sunda Cianjuran and Jaipongan in West Java.

Tracing Buddhism in the British Museum : Biographies of Select Buddhist Objects acquired by the British Museum in the 19th - 20th c (2019)
Thesis
Parker, D. C. Tracing Buddhism in the British Museum : Biographies of Select Buddhist Objects acquired by the British Museum in the 19th - 20th c. (Thesis). SOAS University of London

This thesis studies the history, acquisition and exhibition history of the Amaravati Marbles, the Bimaran Reliquary, the Kanishka Reliquary and the Shalabhanjika Yakshi currently held by the British Museum. It additionally examines the interaction be... Read More about Tracing Buddhism in the British Museum : Biographies of Select Buddhist Objects acquired by the British Museum in the 19th - 20th c.

Seeing The ‘Foreigner’ In The Art Of Early Southeast Asia c.100 BCE – c.900 CE (2018)
Thesis
Wreyford, B. Seeing The ‘Foreigner’ In The Art Of Early Southeast Asia c.100 BCE – c.900 CE. (Thesis). SOAS University of London

The millennium between c.100 BCE and c.900 CE saw the growth of long-distance economic and cultural exchange both within and beyond Southeast Asia, processes which contributed to the development of early states and precipitated cultural changes throu... Read More about Seeing The ‘Foreigner’ In The Art Of Early Southeast Asia c.100 BCE – c.900 CE.