The Animation of Inanimate Objects in Chinese Silent Cinema
(2025)
Book Chapter
Yang, P. (2025). The Animation of Inanimate Objects in Chinese Silent Cinema. In D. Du, J. Crespi, & Y. Wang (Eds.), Chinese Animation: Multiplicities in Motion (33-57). Harvard University Asia Center
All Outputs (16)
Toolkit: When True Love Came to China (2024)
Other
Yang, P. (2024). Toolkit: When True Love Came to China. London
Xu Bing's The Character of Characters and the Possibilities of Calligraphic Animation (2024)
Journal Article
Yang, P. (2024). Xu Bing's The Character of Characters and the Possibilities of Calligraphic Animation. Archives of Asian Art, 74(1), 65-78. https://doi.org/10.1215/00666637-11169083This article examines contemporary Chinese artist Xu Bing's (b. 1955) 2012 animation video, The Character of Characters, which remediates Zhao Mengfu's (1254–1322) calligraphy and painting. The video, in which Chinese written words become the true pr... Read More about Xu Bing's The Character of Characters and the Possibilities of Calligraphic Animation.
Photographs in Films Starring Ruan Lingyu: Considering Geometric Regions of the Motion Picture Frame (2024)
Journal Article
Yang, P. (2024). Photographs in Films Starring Ruan Lingyu: Considering Geometric Regions of the Motion Picture Frame. The journal of e-media studies, 7(1), https://doi.org/10.1349/PS1.1938-6060.A.504This multimodal essay utilizes the Semantic Annotation Tool (SAT), an open-source drop-in module, to create samples of time-based annotations for still photographs in Chinese films starring Ruan Lingyu. Exemplary films include Love and Duty (Lian’ai... Read More about Photographs in Films Starring Ruan Lingyu: Considering Geometric Regions of the Motion Picture Frame.
生死之间 电影中的静照与时间书写 = On the Cusp Between Life and Death: The Still Photograph in Cinema and the Question of Temporalities (2022)
Journal Article
Yang, P. (2022). 生死之间 电影中的静照与时间书写 = On the Cusp Between Life and Death: The Still Photograph in Cinema and the Question of Temporalities. Dang dai dian ying = 当代电影 = Contemporary cinema, 2022(9), 32-39
The Future Story of Chinese Calligraphy (2022)
Presentation / Conference Contribution
Fleming, J., & Yang, P. (2022, July). The Future Story of Chinese Calligraphy. Poster presented at The Future Story of Chinese Calligraphy, Online
Constructing Cantonese-ness(es): Relocations and Remediations of Chao Shao-an’s Paintings across the Asia-Pacific, c. 1950s- 2010s (2022)
Thesis
Wong, Y. H. Constructing Cantonese-ness(es): Relocations and Remediations of Chao Shao-an’s Paintings across the Asia-Pacific, c. 1950s- 2010s. (Thesis). SOAS University of LondonThis thesis defines and deconstructs what the author calls the “Chao Shao-an Phenomenon”, and analyses how Chao’s paintings have been disseminated and represented by himself and his followers in different regions in the Asia-Pacific since the mid-20t... Read More about Constructing Cantonese-ness(es): Relocations and Remediations of Chao Shao-an’s Paintings across the Asia-Pacific, c. 1950s- 2010s.
电影与媒体研究的空间转向 = The Spatial Turn of Film and Media Studies (2021)
Journal Article
Yang, P. (2021). 电影与媒体研究的空间转向 = The Spatial Turn of Film and Media Studies. Dang dai dian ying = 当代电影 = Contemporary cinema, 2021(3), 55-60
Connecting the Dots Through Guo Baochang: Contemporary Chinese Opera, Film, TV (2019)
Presentation / Conference Contribution
Zeitlin, J., & Yang, P. (2019, February). Connecting the Dots Through Guo Baochang: Contemporary Chinese Opera, Film, TV. Poster presented at Connecting the Dots Through Guo Baochang: Contemporary Chinese Opera, Film, TV, Chicago
Review of: Ying Xiao. China in the Mix: Cinema, Sound, and Popular Culture in the Age of Globalization (2019)
Journal Article
Yang, P. (2019). Review of: Ying Xiao. China in the Mix: Cinema, Sound, and Popular Culture in the Age of Globalization. China Review International, 24(1), 70-73. https://doi.org/10.1353/cri.2017.0019
Repositioning Excess: Romantic Melodrama's Journey from Hollywood to China (2018)
Book Chapter
Yang, P. (2018). Repositioning Excess: Romantic Melodrama's Journey from Hollywood to China. In C. Gledhill, & L. Williams (Eds.), Melodrama unbound: across history, media, and national cultures (219-236). Columbia University Press. https://doi.org/10.7312/gled18066-016
Fan Xuepeng (2017)
Book Chapter
Yang, P. (2017). Fan Xuepeng. In J. Gaines, R. Vatsal, & M. Dall’Asta (Eds.), Women Film Pioneers Project. Columbia University Libraries. https://doi.org/10.7916/d8-6ny0-av44Fan Xuepeng was a luminous Chinese film star through the silent era and into the sound era. She was perhaps most famous for her performance as knightly female characters in martial arts films from the late 1920s to the early 1930s. Later she became a... Read More about Fan Xuepeng.
Review of Weihong Bao. Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945 (2016)
Journal Article
Yang, P. (2016). Review of Weihong Bao. Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945. Dang dai dian ying = 当代电影 = Contemporary cinema, 2016(4), 199-200
Rotoscoping Body: Secret Dancers, Animated Realism and Temporal Critique (2016)
Journal Article
Yang, P. (2016). Rotoscoping Body: Secret Dancers, Animated Realism and Temporal Critique. Spectator (Los Angeles, Calif.), 36(1), 33-42In the Fleischer original rotoscoping process, the animator was drawing on a transparent easel, onto which the movie projector was throwing an image of a live-action film frame. This technology improved the smoothness of character movement, most nota... Read More about Rotoscoping Body: Secret Dancers, Animated Realism and Temporal Critique.
众生喧哗与艰难起步:中国动画研究的现状与展望 = Existing Scholarship and Prospects of Chinese Animation Studies (2014)
Journal Article
Yang, P. (2014). 众生喧哗与艰难起步:中国动画研究的现状与展望 = Existing Scholarship and Prospects of Chinese Animation Studies. Dianying yishu = 电影艺术 = Film Art, 2014(6), 39-42
Animating Landscape: Chinese Ink-and-wash Animation, 1960–2013 (2014)
Journal Article
Yang, P. (2014). Animating Landscape: Chinese Ink-and-wash Animation, 1960–2013. International journal of comic art, 16(1), 380-397