Stardom
(2021)
Journal Article
Dwyer, R., & Sengupta, R. (2021). Stardom. BioScope: South Asian Screen Studies, 12(1-2), 185-188. https://doi.org/10.1177/09749276211027710
All Outputs (16)
Calling God on the wrong number: Hindu-Muslim relations in PK (2014) and Bajrangi Bhaijaan (2015) (2017)
Journal Article
Dwyer, R. Calling God on the wrong number: Hindu-Muslim relations in PK (2014) and Bajrangi Bhaijaan (2015). The Muslim World, 107(2), 256-270. https://doi.org/10.1111/muwo.12189
Vighnaharta Shree Siddhivinayak: Ganesh, Remover of Obstacles, Lord of Beginnings, in Mumbai (2015)
Journal Article
Dwyer, R. (2015). Vighnaharta Shree Siddhivinayak: Ganesh, Remover of Obstacles, Lord of Beginnings, in Mumbai. Comparative Studies of South Asia, Africa and the Middle East, 35(2), 263-276. https://doi.org/10.1215/1089201x-3139036
My Lord, the elephant (2013)
Journal Article
Dwyer, R. (2013). My Lord, the elephant. Seminar (New Delhi.1959), 651, 39-42
The biggest star of all: the elephant in Indian cinema (2013)
Journal Article
Dwyer, R. (2013). The biggest star of all: the elephant in Indian cinema. Religions of South Asia, 7, 195-210. https://doi.org/10.1558/rosa.v7i1-3.195In 2010, the Indian elephant (elephas maximus indica) was declared a National Heritage Animal, in view of its contribution to Indian culture and history. It is not surprising that the elephant features in Hindi film, but it is striking that it featur... Read More about The biggest star of all: the elephant in Indian cinema.
Trunk Lines (2013)
Journal Article
Dwyer, R. (2013). Trunk Lines. TLS. Times literary supplement,
Fire and Rain, The Tramp and The Trickster: romance and the family in the early films of Raj Kapoor (2013)
Journal Article
Dwyer, R. (2013). Fire and Rain, The Tramp and The Trickster: romance and the family in the early films of Raj Kapoor. The South Asianist, 2(3), 9-32Ranbir Raj Kapoor (1924-1988) is one of the greatest figures of Hindi cinema. His career of over forty years brought him major fame in India and overseas as star, director and producer. Championed by Nehru, an international star long before talk of g... Read More about Fire and Rain, The Tramp and The Trickster: romance and the family in the early films of Raj Kapoor.
The case of the missing Mahatma: Gandhi and the Hindi cinema (2011)
Journal Article
Dwyer, R. (2011). The case of the missing Mahatma: Gandhi and the Hindi cinema. Public Culture, 23(2), 349-376. https://doi.org/10.1215/08992363-1161949
Hindi films and their audiences (2010)
Journal Article
Dwyer, R. (2010). Hindi films and their audiences. Marg (Mumbai), 61(3), 30-39
Bollywood’s India: Hindi cinema as a guide to modern India (Based on inaugural lecture, Feb 5, 2008) (2010)
Journal Article
Dwyer, R. (2010). Bollywood’s India: Hindi cinema as a guide to modern India (Based on inaugural lecture, Feb 5, 2008). Asian Affairs, 41(3), 381-398. https://doi.org/10.1080/03068374.2010.508231
I am Crazy about the Lord: The Muslim Devotional Genre in Hindi Film (2010)
Journal Article
Dwyer, R. (2010). I am Crazy about the Lord: The Muslim Devotional Genre in Hindi Film. Third Text, 24(1), 123-134. https://doi.org/10.1080/09528820903488992The study of the 'Islamicate' films of Bombay has focused on high-quality genres, such as the Islamicate historical, the Muslim social, and the courtesan film. This paper looks at a neglected sub-genre which it labels 'the Muslim Devotional', using t... Read More about I am Crazy about the Lord: The Muslim Devotional Genre in Hindi Film.
Phalke, Dhundiraj Govind [known as Dadasaheb Phalke] (1870-1944) (2009)
Journal Article
Dwyer, R. (2009). Phalke, Dhundiraj Govind [known as Dadasaheb Phalke] (1870-1944)
Real and imagined audiences: Lagaan and the Hindi film after the 1990s. (2002)
Journal Article
Dwyer, R. (2002). Real and imagined audiences: Lagaan and the Hindi film after the 1990s. Etnofoor (Amsterdam), 15(1/2), 177-193
The erotics of the wet sari in Hindi films (2000)
Journal Article
Dwyer, R. (2000). The erotics of the wet sari in Hindi films. South Asia: Journal of South Asian Studies, 23(2), 143-159. https://doi.org/10.1080/00856400008723418
"Indian values" and the diaspora: Yash Chopra's films of the 1990s (2000)
Journal Article
Dwyer, R. (2000). "Indian values" and the diaspora: Yash Chopra's films of the 1990s. West coast review, 32-34(2, Autumn), 6-27
Hindi romantic cinema: Yash Chopra’s Kabhi Kabhie and Silsila (1998)
Journal Article
Dwyer, R. (1998). Hindi romantic cinema: Yash Chopra’s Kabhi Kabhie and Silsila. South Asia: Journal of South Asian Studies, 21(1), 181-212. https://doi.org/10.1080/00856409808723332