All Outputs (7)

Introduction: The circulation of maps, money and cultural media (2024)
Book Chapter
McCausland, S. (2024). Introduction: The circulation of maps, money and cultural media. In J. Harrison-Hall (Ed.), China’s 1800s: Material and Visual Culture (122-123). The British Museum

‘Fangtan: Ma Xiaohong: Women nengfou dadao yu Yuandai wenhua xiang pibei de shijue suyang’ 访谈: 马啸鸿：我们能否达到与元代文化相匹配的视觉素养 (Interview with Shane McCausland, ‘Can we achieve visual literacy that matches the culture of the Yuan dynasty?) (2024)
Digital Artefact
McCausland, S. ‘Fangtan: Ma Xiaohong: Women nengfou dadao yu Yuandai wenhua xiang pibei de shijue suyang’ 访谈: 马啸鸿：我们能否达到与元代文化相匹配的视觉素养 (Interview with Shane McCausland, ‘Can we achieve visual literacy that matches the culture of the Yuan dynasty?)

Catalogue entries: Zhao Mengfu, 'River Village, Fishermen's Joy'; Chen Ruyan, 'Mountains of the Immortals'; Zhao Yong, 'Fishermen-Hermits in Stream and Mountain' (2024)
Book Chapter
McCausland, S. (2024). Catalogue entries: Zhao Mengfu, 'River Village, Fishermen's Joy'; Chen Ruyan, 'Mountains of the Immortals'; Zhao Yong, 'Fishermen-Hermits in Stream and Mountain'. In C. V. Spee (Ed.), China's Southern Paradise: Treasures from the Lower Yangzi Delta. Cleveland Museum of Art

'Yilong: Zhongguo de xiandaizhuyi yu modai huangdi liuwang chaoting de yishu'〈龙移：中国的现代主义与末代皇帝流亡朝廷的艺术〉 (simplified Chinese translation of 'The Flight of the Dragon: Modernism in China and Art at the Last Emperor’s Court-in-Exile', trans. Lai Xingrui) (2024)
Journal Article
McCausland, S. (2024). 'Yilong: Zhongguo de xiandaizhuyi yu modai huangdi liuwang chaoting de yishu'〈龙移：中国的现代主义与末代皇帝流亡朝廷的艺术〉 (simplified Chinese translation of 'The Flight of the Dragon: Modernism in China and Art at the Last Emperor’s Court-in-Exile', trans. Lai Xingrui). Meishu daguan, 2024(3), 12-28

Personal Commemoration and Collective Enactment: Performing Literati Identity through Autobiographical Landscape in 19th-century China (2024)
Thesis
Chang, J. C.-C. Personal Commemoration and Collective Enactment: Performing Literati Identity through Autobiographical Landscape in 19th-century China. (Thesis). SOAS University of London

This dissertation distinguishes a new genre of autobiographical materials under the rubric of landscape, in which early 19th-century Chinese intellectuals performed the ideal male selfhood through intertextual discourse. I term these works as “autobi... Read More about Personal Commemoration and Collective Enactment: Performing Literati Identity through Autobiographical Landscape in 19th-century China.

Menggu shiji: Yuandai Zhongguo de shijue wenhua 《蒙古世纪：元代中国的视觉文化（1271—1368）》 (The Mongol Century: Visual Cultures of Yuan China, 1271-1368 ), translated by Lai Xingrui (2024)
Book
McCausland, S. (2024). L. Song (Ed.), Menggu shiji: Yuandai Zhongguo de shijue wenhua 《蒙古世纪：元代中国的视觉文化（1271—1368）》 (The Mongol Century: Visual Cultures of Yuan China, 1271-1368 ), translated by Lai Xingrui. SNC Publishing

Menggu shiji: Yuandai Zhongguo de shijue wenhua 蒙古世纪：元代中国的视觉文化（1271—1368） (2024)
Book
McCausland, S. (2024). L. Song (Ed.), Menggu shiji: Yuandai Zhongguo de shijue wenhua 蒙古世纪：元代中国的视觉文化（1271—1368）. Sanlian shudian