Phalke, Dhundiraj Govind [known as Dadasaheb Phalke] (1870-1944)
(2009)
Journal Article
Dwyer, R. (2009). Phalke, Dhundiraj Govind [known as Dadasaheb Phalke] (1870-1944)
PROF Rachel Dwyer's Outputs (70)
Depictions of and by religious practitioners in films: Hinduism (2009)
Book Chapter
Dwyer, R. (2009). Depictions of and by religious practitioners in films: Hinduism. In J. Lyden (Ed.), Routledge companion to religion and film (141-161). Routledge
Bimal Roy: a different kind of Hindi cinema (2009)
Book Chapter
Dwyer, R. (2009). Bimal Roy: a different kind of Hindi cinema. In R. Bhattacharya (Ed.), Bimal Roy: the man who spoke in pictures (162-171). Penguin
What do Hindus believe? (2008)
Book
Dwyer, R. (2008). What do Hindus believe?. GrantaHinduism is a much contested term used to describe the wide range of religious beliefs and practices of more than 800 million people, most of whom live in India. While some regard Hinduism as diverse but coherent, others argue that in the absence of... Read More about What do Hindus believe?.
Indian cinema (2007)
Book Chapter
Dwyer, R. (2007). Indian cinema. In P. Cook (Ed.), The cinema book (221-223). British Film Institute
The saffron screen?: Hindi movies and Hindu nationalism (2006)
Book Chapter
Dwyer, R. (2006). The saffron screen?: Hindi movies and Hindu nationalism. In B. Meyer, & A. Moors (Eds.), Religion, media and the public sphere (422-460). Indiana University Press
The goddess in Indian film. (2006)
Book Chapter
Dwyer, R. (2006). The goddess in Indian film. In J. Menzies (Ed.), Goddess: divine energy (153-155). Art Gallery of New South Wales
Kiss or Tell? Declaring Love in Hindi Films (2006)
Book Chapter
Dwyer, R. (2006). Kiss or Tell? Declaring Love in Hindi Films. In F. Orsini (Ed.), Love in South Asia. A Cultural History (289-302). Cambridge University Press
Filming the Gods: Religion and Indian Cinema (2006)
Book
Dwyer, R. (2006). Filming the Gods: Religion and Indian Cinema. Routledge. https://doi.org/10.4324/9780203088654Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cine... Read More about Filming the Gods: Religion and Indian Cinema.
Planet Bollywood: Hindi film in the UK. (2006)
Book Chapter
Dwyer, R. (2006). Planet Bollywood: Hindi film in the UK. In S. Sayyid, N. Ali, & V. S. Kalra (Eds.), Postcolonial people: South Asians in Britain (366-375). Hurst and Co
Cinema (2005)
Book Chapter
Dwyer, R. (2005). Cinema. In D. Cush, C. Robinson, & M. York (Eds.), The encyclopaedia of Hinduism. Routledge Curzon
100 Bollywood films (2005)
Book
Dwyer, R. (2005). 100 Bollywood films. British Film Institute. https://doi.org/10.5040/9781838710538Bollywood film is the national cinema of India, describing movies made in Mumbai, distributed nationally across India and with their own production, distribution and exhibition networks worldwide. This informative screen guide reflects the work of ke... Read More about 100 Bollywood films.
The Swaminarayan Movement (2004)
Book Chapter
Dwyer, R. (2004). The Swaminarayan Movement. In K. A. Jacobsen, & P. Kumar (Eds.), South Asians in the diaspora: historiesand religious traditions (180-199). Brill. https://doi.org/10.1163/9789047401407_011
Representing the Muslim: the 'courtesan film' in Indian popular cinema. (2004)
Book Chapter
Dwyer, R. (2004). Representing the Muslim: the 'courtesan film' in Indian popular cinema. In T. Parfitt, & Y. Egorova (Eds.), Jews, Muslims and Mass Media Mediating the 'Other' (78-92). Routledge/CurzonI am often asked if I teach ‘Hindu’ cinema or speak ‘Hindu’ or ‘Indian’. It is easy to be scornful of the misuse of these terms, but it is more interesting to examine their historical connections. All these words are historically connected, being der... Read More about Representing the Muslim: the 'courtesan film' in Indian popular cinema..
Yeh shaadi nahin ho sakti! (This wedding cannot happen!) (2004)
Book Chapter
Dwyer, R. (2004). Yeh shaadi nahin ho sakti! (This wedding cannot happen!). In G. W. Jones, & K. Ramdas (Eds.), (Un)tying the knot: ideal and reality in Asian marriage (59-90). Asia Research Institute, National University of Singapore
Yash Chopra (2002)
Book
Dwyer, R. (2002). Yash Chopra. British Film Institute. https://doi.org/10.5040/9781838710965As a charismatic director in the Indian film industry, Chopra’s name is synonymous with the glamour of the romantic film and a certain style within Indian culture. Spanning four decades, his directed features include some of the classic films of Indi... Read More about Yash Chopra.
Cinema India. The Visual Culture of the Hindi Film (2002)
Book
Dwyer, R., & Patel, D. (2002). Cinema India. The Visual Culture of the Hindi Film. Reaktion Books
Real and imagined audiences: Lagaan and the Hindi film after the 1990s. (2002)
Journal Article
Dwyer, R. (2002). Real and imagined audiences: Lagaan and the Hindi film after the 1990s. Etnofoor (Amsterdam), 15(1/2), 177-193
Landschaft der Liebe: die indischen Mittelschichten,die romantische Liebe und das Konsumdenken. (2002)
Book Chapter
Dwyer, R. (2002). Landschaft der Liebe: die indischen Mittelschichten,die romantische Liebe und das Konsumdenken. In A. Schneider (Ed.), Bollywood: das indische Kino und die Schweiz (97-105). Museum fur Gestaltung
"Indian values" and the diaspora: Yash Chopra's films of the 1990s (2000)
Journal Article
Dwyer, R. (2000). "Indian values" and the diaspora: Yash Chopra's films of the 1990s