Production, Distribution, and Aesthetics: Abundance and Chinese Porcelain from Jingdezhen, 1350-1800 AD
(2017)
Book Chapter
Pierson, S. (2017). Production, Distribution, and Aesthetics: Abundance and Chinese Porcelain from Jingdezhen, 1350-1800 AD. In M. Smith (Ed.), Abundance: the Archaeology of Plenitude (229-250). University Press of Colorado. https://doi.org/10.5876/9781607325949.c011
PROF Stacey Pierson's Outputs (65)
The purpose, operation and impacts of the art investment of the British Rail Pension Fund’s collection of Chinese works of art from 1974 to 1989 (2017)
Thesis
Liu, H. The purpose, operation and impacts of the art investment of the British Rail Pension Fund’s collection of Chinese works of art from 1974 to 1989. (Thesis). SOAS University of London
Private Collecting, Exhibitions and the Shaping of Art History in London: the Burlington Fine Arts Club (2017)
Book
Pierson, S. (2017). Private Collecting, Exhibitions and the Shaping of Art History in London: the Burlington Fine Arts Club. Routledge. https://doi.org/10.4324/9781315311937he Burlington Fine Arts Club was founded in London in 1866 as a gentlemen’s club with a singular remit – to exhibit members’ art collections. Exhibitions were proposed, organized and furnished by a group of prominent members of British society who in... Read More about Private Collecting, Exhibitions and the Shaping of Art History in London: the Burlington Fine Arts Club.
Authentic Ceramics with Fake Reign Marks: Characterizing Xuanhe Nian Zhi Wares of the Qing Dynasty (2015)
Journal Article
Pierson, S. (2015). Authentic Ceramics with Fake Reign Marks: Characterizing Xuanhe Nian Zhi Wares of the Qing Dynasty. Orientations (Hong Kong), 46(8),
Review: Robert Finlay, The Pilgrim Art: Cultures of Porcelain in World History. Berkeley: University of California Press, 2010. (2015)
Journal Article
Pierson, S. (2015). Review: Robert Finlay, The Pilgrim Art: Cultures of Porcelain in World History. Berkeley: University of California Press, 2010. China Review International, 19(4), 582-586. https://doi.org/10.1353/cri.2012.0105
Review: Van Campen, et. al., Chinese and Japanese Porcelain for the Dutch Golden Age, 2014. (2015)
Journal Article
Pierson, S. (2015). Review: Van Campen, et. al., Chinese and Japanese Porcelain for the Dutch Golden Age, 2014. Arts of Asia, 45(3), 144-147
‘Ming: London and Edinburgh’, exhibition review (2015)
Other
Pierson, S. (2015). ‘Ming: London and Edinburgh’, exhibition review
Objects of popular devotion : Longquan ceramic religious figures during the Song-Yuan-Ming period (2015)
Thesis
Youn, H. Objects of popular devotion : Longquan ceramic religious figures during the Song-Yuan-Ming period. (Thesis). SOAS, University of London
The Mighty Ming's Culture of Power: a new study of Ming-era China and the place of art and artefacts in its society (2014)
Journal Article
Pierson, S. (2014). The Mighty Ming's Culture of Power: a new study of Ming-era China and the place of art and artefacts in its society. The Art newspaper (International ed.), 60
Reinventing “China”: Provenance, Categories and the Collecting of Chinese Ceramics, 1910-2009 (2014)
Book Chapter
Pierson, S. (2014). Reinventing “China”: Provenance, Categories and the Collecting of Chinese Ceramics, 1910-2009. In J. Steuber, & G. Lai (Eds.), Collectors, Collections and Collecting the Art of China: Histories and Challenges. University Press of Florida
From Object to Concept: Global Consumption and the Transformation of Ming Porcelain (2013)
Book
Pierson, S. (2013). From Object to Concept: Global Consumption and the Transformation of Ming Porcelain. Hong Kong University Press
Interrelations Between Song and Yuan Ceramics from Southern and Northern Kilns: Shapes, Colors and Decoration (2013)
Journal Article
Pierson, S. (2013). Interrelations Between Song and Yuan Ceramics from Southern and Northern Kilns: Shapes, Colors and Decoration. Misur jaryo, 83, 31-45
The Movement of Chinese Ceramics: Appropriation in Global History (2012)
Journal Article
Pierson, S. (2012). The Movement of Chinese Ceramics: Appropriation in Global History. Journal of World History, 23(1), 9-39. https://doi.org/10.1353/jwh.2012.0013
Review: Sensuous Surfaces (2011)
Journal Article
Pierson, S. (2011). Review: Sensuous Surfaces. Bulletin of the School of Oriental and African Studies, 74(3), https://doi.org/10.1017/S0041977X11000632
Review of 'Chinese Export Ceramics' edited by Rose Kerr and Luisa E. Mengoni (2011)
Journal Article
Pierson, S. (2011). Review of 'Chinese Export Ceramics' edited by Rose Kerr and Luisa E. Mengoni. Ceramic review, 251, 29
The History of the London Oriental Ceramic Society, 1921-1947, part 2 (2011)
Journal Article
Pierson, S. (2011). The History of the London Oriental Ceramic Society, 1921-1947, part 2. 典藏 = Art & collection = Dian cang, 221, 132-139
From Market and Exhibition to University: Sir Percival David and the Institutionalization of Chinese Art History in England (2011)
Book Chapter
Pierson, S. (2011). From Market and Exhibition to University: Sir Percival David and the Institutionalization of Chinese Art History in England. In V. Rujivacharakul (Ed.), Collecting China: the World, China, and a History of Collecting (130-137). University of Delaware Press
The History of the London Oriental Ceramic Society, 1921-1947, part 1 (2011)
Journal Article
Pierson, S. (2011). The History of the London Oriental Ceramic Society, 1921-1947, part 1. 典藏 = Art & collection = Dian cang, 220, 152-159
On Location: Situating Chinese Ceramics (2010)
Journal Article
Pierson, S. (2010). On Location: Situating Chinese Ceramics. Transactions of the Oriental Ceramic Society, 73, 91-106
Historical and Cultural Contexts for Ceramics in China (2010)
Book Chapter
Pierson, S. (2010). Historical and Cultural Contexts for Ceramics in China. In R. Torchia (Ed.), Ai Weiwei: Dropping the Urn: ceramic works, 5000 BCE -- 2010 CE (96-103). Arcardia University Art Gallery