Export or Exported? Primary and Secondary Transfer in Seventeenth and Early Eighteenth Century Chinese Porcelain
(2022)
Book Chapter
Pierson, S. Export or Exported? Primary and Secondary Transfer in Seventeenth and Early Eighteenth Century Chinese Porcelain. In S. E. Fraser, M. Wakita, & L. Wang (Eds.), Women Cross Media. East Asian Photography, Prints and Porcelain from the Staatliche Kunstammlungen Dresden (336-355). arthistoricum.net. https://doi.org/10.11588/arthistoricum.995.c13795
PROF Stacey Pierson's Outputs (13)
The OCS council Makes (Art)History. The International Exhibition of Chinese Art at the Royal Academy, 1935-1936 and its Organisers: Percival David, George Eumorfopoulos, R. L. Hobson, Oscar Raphael (2021)
Book Chapter
Pierson, S. (2021). The OCS council Makes (Art)History. The International Exhibition of Chinese Art at the Royal Academy, 1935-1936 and its Organisers: Percival David, George Eumorfopoulos, R. L. Hobson, Oscar Raphael. In S. Wong, & S. Pierson (Eds.), Collectors, Curators and Connoisseurs: 100 Years of the Oriental Ceramic Society (20-29). Oriental Ceramic Society London
Chinese porcelain, the East India Company and British cultural identity, 1600-1800 (2019)
Book Chapter
Pierson, S. (2019). Chinese porcelain, the East India Company and British cultural identity, 1600-1800. In T. H. Bentley (Ed.), Picturing Commerce In and From the East Asian Maritime Circuits, 1550-1800 (275-292). Amsterdam University Press. https://doi.org/10.1515/9789048535446-012
"True Beauty of Form and Chaste Embellishment": Summer Palace Loot and Chinese Porcelain Collecting in Nineteenth-century Britain (2018)
Book Chapter
Pierson, S. (2018). "True Beauty of Form and Chaste Embellishment": Summer Palace Loot and Chinese Porcelain Collecting in Nineteenth-century Britain. In L. Tythacott (Ed.), Collecting and Displaying China's "Summer Palace" in the West. The Yuanmingyuan in Britain and France (72-86). Routledge. https://doi.org/10.4324/9781315113395-5This chapter considers how the novelty of the Yuanmingyuan objects was received and conceived of by collectors shortly after the 1860 aggression. It explores how these new objects were incorporated into a developing canon of "Chinese" things, particu... Read More about "True Beauty of Form and Chaste Embellishment": Summer Palace Loot and Chinese Porcelain Collecting in Nineteenth-century Britain.
Production, Distribution, and Aesthetics: Abundance and Chinese Porcelain from Jingdezhen, 1350-1800 AD (2017)
Book Chapter
Pierson, S. (2017). Production, Distribution, and Aesthetics: Abundance and Chinese Porcelain from Jingdezhen, 1350-1800 AD. In M. Smith (Ed.), Abundance: the Archaeology of Plenitude (229-250). University Press of Colorado. https://doi.org/10.5876/9781607325949.c011
Reinventing “China”: Provenance, Categories and the Collecting of Chinese Ceramics, 1910-2009 (2014)
Book Chapter
Pierson, S. (2014). Reinventing “China”: Provenance, Categories and the Collecting of Chinese Ceramics, 1910-2009. In J. Steuber, & G. Lai (Eds.), Collectors, Collections and Collecting the Art of China: Histories and Challenges. University Press of Florida
From Market and Exhibition to University: Sir Percival David and the Institutionalization of Chinese Art History in England (2011)
Book Chapter
Pierson, S. (2011). From Market and Exhibition to University: Sir Percival David and the Institutionalization of Chinese Art History in England. In V. Rujivacharakul (Ed.), Collecting China: the World, China, and a History of Collecting (130-137). University of Delaware Press
Historical and Cultural Contexts for Ceramics in China (2010)
Book Chapter
Pierson, S. (2010). Historical and Cultural Contexts for Ceramics in China. In R. Torchia (Ed.), Ai Weiwei: Dropping the Urn: ceramic works, 5000 BCE -- 2010 CE (96-103). Arcardia University Art Gallery
Regional Specialization in Ceramic Production of the Northern Sung Period (2008)
Book Chapter
Pierson, S. (2008). Regional Specialization in Ceramic Production of the Northern Sung Period. In Conference on Founding Paradigms: Papers on the Art and Culture of the Northern Sung Dynasty (759-776). National Palace MuseumIn studies of Chinese ceramics of designated periods, it is generally assumed that the forms and decoration produced were universal, that is, they were made by most kilns in most types of wares. In fact, as this study of Northern Sung ceramics will d... Read More about Regional Specialization in Ceramic Production of the Northern Sung Period.
Porcelain (2007)
Book Chapter
Pierson, S. (2007). Porcelain. In J. Fenby (Ed.), The Seventy Wonders of China (217-221). Thames and Hudson
'The Sung Standard': Chinese Ceramics and British Studio Pottery in the 20th Century (2004)
Book Chapter
Pierson, S. (2004). 'The Sung Standard': Chinese Ceramics and British Studio Pottery in the 20th Century. In S. Pierson (Ed.), Song Ceramics. Art History, Archaeology and Technology (81-102). Percival David Foundation of Chinese Art
Industrial Ceramics in China: Ceramic Production at Jingdezhen from the 10th to the 16th century (2002)
Book Chapter
Pierson, S. (2002). Industrial Ceramics in China: Ceramic Production at Jingdezhen from the 10th to the 16th century. In F. Goddio (Ed.), Lost at Sea: The Strange Route of the Lena Shoal Junk. Periplus
Ceramics (2000)
Book Chapter
Pierson, S. (2000). Ceramics. In L. Trench (Ed.), Materials and Techniques in the Decorative Arts: an Illustrated Dictionary. The University of Chicago Press