Outputs (15)

Postwar Narratives and the Avant-garde Documentary: Tokyo 1958 and Furyō Shōnen (2019)
Book Chapter
Centeno, M. (2019). Postwar Narratives and the Avant-garde Documentary: Tokyo 1958 and Furyō Shōnen. In D. Martinez, B. Guarné, & A. Lozano-Méndez (Eds.), Persistently Postwar: Media and the Politics of Memory in Japan (41-62). Berghahn. https://doi.org/10.2307/j.ctv12pns6b.8

Susumu Hani had a leading role in adapting the post-war avant-garde documentary movement in cinematographic terms. His films Tokyo 1958 (Hani et al., 1958) and Furyō Shōnen (Hani, Bad Boys, 1960) materialised the demands for a new kind of documentar... Read More about Postwar Narratives and the Avant-garde Documentary: Tokyo 1958 and Furyō Shōnen.

Method Directors. Susumu Hani and Yasujirō Ozu: a Comparative Approach across Paradigms (2018)
Book Chapter
Centeno, M. (2018). Method Directors. Susumu Hani and Yasujirō Ozu: a Comparative Approach across Paradigms. In A. Becker (Ed.), Yasujirô Ozu and the Aesthetics of his Time (125-152). Büchner-Verlag

This text seeks to assess Yasujiro Ozu´s filmmaking method in relation to that of Susumu Hani, which was theorised and put into practice through documentary films during the fifties. These filmmakers belonged to different generations and while Ozu, s... Read More about Method Directors. Susumu Hani and Yasujirō Ozu: a Comparative Approach across Paradigms.

El redescubrimiento del cine documental japonés. El estudio contemporáneo de la desconocida obra de Susumu Hani en Iwanami Eiga. (2016)
Book Chapter
Centeno, M. (2016). El redescubrimiento del cine documental japonés. El estudio contemporáneo de la desconocida obra de Susumu Hani en Iwanami Eiga. In A. Lozano-Méndez (Ed.), El Japón contemporáneo : una aproximación desde los estudios culturales. Ediciones Bellaterra

Transcultural Corporeity in Taiyozoku Youth Cinema. Some Notes on the Contradictions of Japaneseness in the Economic Miracle. (2016)
Book Chapter
Centeno, M. (2016). Transcultural Corporeity in Taiyozoku Youth Cinema. Some Notes on the Contradictions of Japaneseness in the Economic Miracle. In A. Becker, & K. Adachi-Rabe (Eds.), Presentation of Bodies in Japanese Films / Körperinszenierungen im japanischen Film (143-160). Büchner-Verlag

Japanese visual culture offers countless examples of mutable corporeity and metamorphosis processes, which often imply internal as well as external changes in characters, with which the Japanese notion of “body” (shintai) certainly acquires distinct... Read More about Transcultural Corporeity in Taiyozoku Youth Cinema. Some Notes on the Contradictions of Japaneseness in the Economic Miracle..

The rediscovery of the Japanese documentary cinema. The contemporary study of the unknown works of Susumu Hani in Iwanami Eiga (2016)
Book Chapter
Centeno, M. (2016). The rediscovery of the Japanese documentary cinema. The contemporary study of the unknown works of Susumu Hani in Iwanami Eiga. In A. Lozano-Méndez (Ed.), El Japón Contemporáneo. Una aproximación desde los estudios culturales (33-54). Bellaterra

'Bergman in Uganda': Ugandan Veejays, Swedish Pirates, and the Political Value of Live Adaptation (2015)
Book Chapter
Dovey, L. (2015). 'Bergman in Uganda': Ugandan Veejays, Swedish Pirates, and the Political Value of Live Adaptation. In D. Hassler-Forest, & P. Nicklas (Eds.), The Politics of Adaptation: Media Convergence and Ideology (99-113). Palgrave Macmillan. https://doi.org/10.1057/9781137443854_8

In early May 2014, the Swedish artist Markus Öhrn premiered the first part of his project ‘Bergman in Uganda’ at the Kunstenfestivaldesarts in Brussels, Belgium. The premiere involved a screening of Ingmar Bergman’s signature film Persona (1966), int... Read More about 'Bergman in Uganda': Ugandan Veejays, Swedish Pirates, and the Political Value of Live Adaptation.

Des)encuentros: ¿Por qué es necesario volver a los clásicos del cine? (Hidenori Okada) (2014)
Book Chapter
Okada, H., Aguilar, G., Fiss, K., Keller, P., Pérez-Bowie, J. A., Alcoriza, J., & Centeno, M. (. (2014). Des)encuentros: ¿Por qué es necesario volver a los clásicos del cine? (Hidenori Okada). . Asociación Cineforum L'Atalante

Fools (Ramadan Suleman, 1997): or, the importance of being able to tell 'messy' stories at the 'wrong' time (2014)
Book Chapter
Dovey, L. (2014). Fools (Ramadan Suleman, 1997): or, the importance of being able to tell 'messy' stories at the 'wrong' time. In L. Bisschoff, & D. Murphy (Eds.), Africa's Lost Classics: New Histories of African Cinema (107-112). Legenda. https://doi.org/10.4324/9781315097534-12

Ramadan Suleman and Bhekizizwe Peterson's film Fools (1997) occupies a vital place in South African and cinema history as the first feature-length fiction film made by black filmmakers in post-apartheid South Africa. However, Fools is far from a dry... Read More about Fools (Ramadan Suleman, 1997): or, the importance of being able to tell 'messy' stories at the 'wrong' time.

Views of Modern and Postmodern Tokyo: Dehumanization, Urban and Body Changes (2011)
Book Chapter
Centeno, M. (2011). Views of Modern and Postmodern Tokyo: Dehumanization, Urban and Body Changes. In E. Biserna, & P. Brown (Eds.), Cinema, Architecture, Dispositif (156-161). Campanotto Editore

Discovering Minorities in Japan: First Korean Representations in Japanese Cinema. (2011)
Book Chapter
Centeno, M. (2011). Discovering Minorities in Japan: First Korean Representations in Japanese Cinema. In ACCS. The Asian Conference on Cultural Studies. Conference proceedings (125-137). IAFOR (The International Academic Forum)

The Man with the Golden Gauntlets: Mit Chaibancha’s Insi thorng and the Confusion of Red and Yellow Perils in Thai Cold War Action Cinema (2010)
Book Chapter
Harrison, R. (2010). The Man with the Golden Gauntlets: Mit Chaibancha’s Insi thorng and the Confusion of Red and Yellow Perils in Thai Cold War Action Cinema. In T. Day, & M. Liem (Eds.), Cultures at War: The Cold War and the Arts in Southeast Asia. SEAP Cornell University Press

La evolución del Katsudo Shashin Benshi (2008)
Book Chapter
Ichiro, K., & Centeno, M. (. B. (2008). La evolución del Katsudo Shashin Benshi. . sociación Cineforum L'Atalante

East Asian cinematic dragons: history, identity and trans-regional cultural flow in the cinemas of China, Japan, South Korea and Hong Kong (2007)
Book Chapter
Jackson, A. D., Lee, V., & White, D. (2007). East Asian cinematic dragons: history, identity and trans-regional cultural flow in the cinemas of China, Japan, South Korea and Hong Kong. In A. D. Jackson, M. Gibb, & D. White (Eds.), How East Asian Films are Reshaping National Identities (v-xvi). The Edwin Mellen Press

The New Cinematic Language of South Korean Film (2007)
Book Chapter
Jackson, A. D. (2007). The New Cinematic Language of South Korean Film. In A. D. Jackson, M. Gibb, & D. White (Eds.), How East Asian Films are Reshaping National Identities (113-134). The Edwin Mellen Press

Neither Here nor There: Positive Responses to Modernity in Korean film (2007)
Book Chapter
Jackson, A. D., & Gibb, M. (2007). Neither Here nor There: Positive Responses to Modernity in Korean film. In A. D. Jackson, M. Gibb, & D. White (Eds.), How East Asian Films are Reshaping National Identities (99-111). Edwin Mellen Press