Outputs (2)

Susumu Hani (1950-1960): la aportación teórico-práctica al documental y al cine juvenil japonés. Una aproximación al caso de Hani como precursor de la Nueva Ola. (2015)
Thesis
Centeno, M. Susumu Hani (1950-1960): la aportación teórico-práctica al documental y al cine juvenil japonés. Una aproximación al caso de Hani como precursor de la Nueva Ola. (Thesis). Universitat de València

This thesis brings for the first time an anthology of the Japanese director Susumu Hani. It brings to light the documentary films for cinema and television, made in Iwanami Eiga studios between 1950 and 1960, most of them unknown in the West. The ana... Read More about Susumu Hani (1950-1960): la aportación teórico-práctica al documental y al cine juvenil japonés. Una aproximación al caso de Hani como precursor de la Nueva Ola..

Transition in the Japanese Youth Cinema (1956-1960): from the Taiyōzoku Phenomenon to the New Wave. Crazed Fruit, Kisses and Cruel Story of Youth. Comparative Analysis, Contextual Parameters and Thematic and Formal Transgressions. (2009)
Thesis
Centeno, M. Crazed Fruit, Kisses and Cruel Story of Youth. Comparative Analysis, Contextual Parameters and Thematic and Formal Transgressions. (Thesis). University of Valencia

This study faces the constitution of the Japanese New Wave in his earliest form, the “youth cinema” (seishun eiga). During the proposed “Period of Transition” (1956-1960) several factors from inside and outside of the film industry caused the rupture... Read More about Transition in the Japanese Youth Cinema (1956-1960): from the Taiyōzoku Phenomenon to the New Wave. Crazed Fruit, Kisses and Cruel Story of Youth. Comparative Analysis, Contextual Parameters and Thematic and Formal Transgressions..