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Outputs (8)

'Bergman in Uganda': Ugandan Veejays, Swedish Pirates, and the Political Value of Live Adaptation (2015)
Book Chapter
Dovey, L. (2015). 'Bergman in Uganda': Ugandan Veejays, Swedish Pirates, and the Political Value of Live Adaptation. In D. Hassler-Forest, & P. Nicklas (Eds.), The Politics of Adaptation: Media Convergence and Ideology (99-113). Palgrave Macmillan. https://doi.org/10.1057/9781137443854_8

In early May 2014, the Swedish artist Markus Öhrn premiered the first part of his project ‘Bergman in Uganda’ at the Kunstenfestivaldesarts in Brussels, Belgium. The premiere involved a screening of Ingmar Bergman’s signature film Persona (1966), int... Read More about 'Bergman in Uganda': Ugandan Veejays, Swedish Pirates, and the Political Value of Live Adaptation.

Susumu Hani (1950-1960): la aportación teórico-práctica al documental y al cine juvenil japonés. Una aproximación al caso de Hani como precursor de la Nueva Ola. (2015)
Thesis
Centeno, M. Susumu Hani (1950-1960): la aportación teórico-práctica al documental y al cine juvenil japonés. Una aproximación al caso de Hani como precursor de la Nueva Ola. (Thesis). Universitat de València

This thesis brings for the first time an anthology of the Japanese director Susumu Hani. It brings to light the documentary films for cinema and television, made in Iwanami Eiga studios between 1950 and 1960, most of them unknown in the West. The ana... Read More about Susumu Hani (1950-1960): la aportación teórico-práctica al documental y al cine juvenil japonés. Una aproximación al caso de Hani como precursor de la Nueva Ola..

The Revolutionary Triptych (2015)
Journal Article
Standish, I. (2015). The Revolutionary Triptych

This is an article in a booklet on Yoshida (Kiju) Yoshishige's three films Eros + Massacre, Heroic Purgatory, and Coup d'etat that accompanies the box set DVD release of these films.

The Shapes of Otherness: the Representation of the Ainu People in Brodsky’s Travelogues 1918-1919 (2015)
Journal Article
Centeno, M. (2015). The Shapes of Otherness: the Representation of the Ainu People in Brodsky’s Travelogues 1918-1919. Kokoro (Cáceres), 14-22

The origins of cinema coincided with the growing interest in Ainu culture in the West. It is not surprising that the Ainu people appeared in the first images filmed by the cinematograph in Japan. This essay focus the analysis on the Ainu sequences in... Read More about The Shapes of Otherness: the Representation of the Ainu People in Brodsky’s Travelogues 1918-1919.