Outputs (5)

El redescubrimiento del cine documental japonés. El estudio contemporáneo de la desconocida obra de Susumu Hani en Iwanami Eiga. (2016)
Book Chapter
Centeno, M. (2016). El redescubrimiento del cine documental japonés. El estudio contemporáneo de la desconocida obra de Susumu Hani en Iwanami Eiga. In A. Lozano-Méndez (Ed.), El Japón contemporáneo : una aproximación desde los estudios culturales. Ediciones Bellaterra

Transcultural Corporeity in Taiyozoku Youth Cinema. Some Notes on the Contradictions of Japaneseness in the Economic Miracle. (2016)
Book Chapter
Centeno, M. (2016). Transcultural Corporeity in Taiyozoku Youth Cinema. Some Notes on the Contradictions of Japaneseness in the Economic Miracle. In A. Becker, & K. Adachi-Rabe (Eds.), Presentation of Bodies in Japanese Films / Körperinszenierungen im japanischen Film (143-160). Büchner-Verlag

Japanese visual culture offers countless examples of mutable corporeity and metamorphosis processes, which often imply internal as well as external changes in characters, with which the Japanese notion of “body” (shintai) certainly acquires distinct... Read More about Transcultural Corporeity in Taiyozoku Youth Cinema. Some Notes on the Contradictions of Japaneseness in the Economic Miracle..

The rediscovery of the Japanese documentary cinema. The contemporary study of the unknown works of Susumu Hani in Iwanami Eiga (2016)
Book Chapter
Centeno, M. (2016). The rediscovery of the Japanese documentary cinema. The contemporary study of the unknown works of Susumu Hani in Iwanami Eiga. In A. Lozano-Méndez (Ed.), El Japón Contemporáneo. Una aproximación desde los estudios culturales (33-54). Bellaterra

Kore-eda’s Our Little Sister: a Return to the Japanese Classicism (2016)
Other
Centeno, M. Kore-eda’s Our Little Sister: a Return to the Japanese Classicism. Michigan , USA

On the Matter of Fiction: An Approach to the Marginalization of African Film Studies in the Global Academy (2016)
Journal Article
Dovey, L. (2016). On the Matter of Fiction: An Approach to the Marginalization of African Film Studies in the Global Academy. Black camera, 7(2), 159-173. https://doi.org/10.2979/blackcamera.7.2.159

This article adopts a polemical tone to argue that factual rather than fictional media modes are gradually being privileged globally to the extent that we find ourselves—as academics, but also as citizens—in the grips of a dangerous “regime of truth”... Read More about On the Matter of Fiction: An Approach to the Marginalization of African Film Studies in the Global Academy.