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Ousmane Sembène’s Cinema

Sendra Fernandez, Estrella

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Authors

Estrella Sendra Fernandez



Abstract

The work of prolific Senegalese writer and filmmaker Ousmane Sembène is strongly linked to the decolonisation and liberation of African countries from the 1960s onwards. The son of a Lébou father – a fisherman from a community originally from the Cap Vert peninsula – and a Serer mother, an ethnic group among the last in Senegal to convert to Islam or Christianity, this pioneer of African film still lacks the recognition he is rightfully due in global cinema.

Citation

Sendra Fernandez, E. (2019). Ousmane Sembène’s Cinema. Critical Muslim, 30(1), 73-80

Journal Article Type Article
Acceptance Date Jan 24, 2019
Publication Date Apr 1, 2019
Deposit Date Apr 7, 2020
Publicly Available Date Apr 7, 2020
Journal Critical Muslim
Print ISSN 2048-8475
Peer Reviewed Peer Reviewed
Volume 30
Issue 1
Pages 73-80
Keywords Senegal, African cinema, Ousmane Sembène, Senegalese Cinema
Publisher URL https://criticalmuslim.com/issues/30-west-africa
Related Public URLs https://www.criticalmuslim.io/ousmane-sembenes-cinema/
Additional Information References : Andrade-Watkings, Claire. ‘Film Production in Francophone Africa.’ In Gadjigo, Samba Gadjigo et al. (eds.). Ousmane Sembène: Dialogues with Critics and Writers, Amherst: University of Massachusetts Press, 1993. Apter, Andrew H. The Pan-African Nation: Oil and the Spectacle of Culture in Nigeria. Chicago, Ill.: University of Chicago Press, 2005. Barlet, Olivier. African Cinemas: Decolonizing the Gaze. London: Zed Books. 2000. Bisschoff, Lizelle, and David Murphy. Africa's Lost Classics: New Histories of African Cinema. London: Legenda, Modern Humanities Research Association and Maney Publishing, 2014. Bekolo, Jean Pierre. ‘Aristotle’s Plost.’ In Eke, Maureen N.,Yewah, Emmanuel, and Harrow, Kenneth W., African Images: Recent Studies and Text in Cinema. Trenton, N.J.: Africa World Press, 2000: 19-30. Correa, Chérif A. ‘Islam and the Question of Identity in Ousmane Sembéne’s Film Ceddo.’ In Vetinde, Lifongo J., & Fofana, Amadou T. Ousmane Sembene and the politics of culture. Lanham, Maryland: Lexington Books, 2014: 33-50. Counsel, Graeme. Mande popular music and cultural policies in West Africa: Griots and government policy since independence. Saabrucken: VDM Verlag, 2009. Dia, Thierno Ibrahima, & Barlet, Olivier. Sembene Ousmane (1923-2007): Un dossier cordonne par Thierno Ibrahima Dia et Olivier Barlet en collaboration avec Boniface Mongo-Mboussa. Paris: L'Harmattan, 2009. Diawara, Manthia. African Cinema: Politics and Culture. Bloomington (USA); Indianapolis (USA): Indiana U.P., 1992. - ‘The Iconography of West African Cinema.’ In Givanni, June (ed.). Symbolic Narratives/African Cinema. London: BFI: 2000: 81-89. Dovey, Lindiwe. Curating Africa in the Age of Film Festivals. New York, NY: Palgrave Macmillan, 2015. - ‘Subjects of Exile: Alienation in Francophone West African Cinema.’ In International Journal of Francophone Studies, 12 (1), 2009: 55-75. Fofana, Amadou T. The films of Ousmane Sembène: Discourse, culture, and politics. Amherst, N.Y.: Cambria Press, 2012. Gabriel, Teshome H. Third Cinema in Third World: The Aesthetics of Liberation. Michigan: University of Michigan Press, 1982. Gadjigo, Samba. Ousmane Sembène: The making of a militant artist. Bloomington: Indiana University Press, 2010. Givanni, June (ed.). Symbolic narratives/African cinema, London: British Film Institute, 2001. Harney, Elizabeth. In Senghor’s Shadow: Art, Politics, and the Avant-garde in Senegal, 1960-1995. Durham, N. C.; London: Duke University Press, 2004. Harrow, Kenneth W., ‘Kiné, la Nouvelle Femme africaine.’ In Sembene Ousmane (1923-2007): Un Dossier Cordonne Par Thierno Ibrahima Dia Et Olivier Barlet En Collaboration Avec Boniface Mongo-Mboussa. Paris: L'Harmattan, 2009: 156-165. Jaggi, Maya. Profile of Ousmane Sembène. The Guardian Review, 14 May 2005: 20-23. Murphy, David. Sembene: Imagining alternatives in film & fiction. Oxford: Trenton, N.J.: James Currey; Africa World Press, 2000. Murphy, David & Williams, Patrick. ‘Djibril Diop Mambety.’ In Murphy, David & Williams, Patrick. Postcolonial African Cinema: Ten Directors. Manchester: Manchester University Press, 2007, pp. 91-109. Petty, Sheila. A call to action: The films of Ousmane Sembene. Trowbridge, Wilts: Flicks Books, 1996. Pfaff, Françoise. The cinema of Ousmane Sembène, a pioneer of African film, Westport: Greenwood Press, 1984. - Pfaff, Françoise, ‘Femme, je vous aime: Les femmes africaines dans les films de Sembène.’ In Sembene Ousmane (1923-2007): Un Dossier Cordonne Par Thierno Ibrahima Dia Et Olivier Barlet En Collaboration Avec Boniface Mongo-Mboussa. Paris: L'Harmattan, 2009: 149-155. Sendra, Estrella. ‘Sembène!’ In African Studies Review. Cambridge University Press, 59 (2), 2016: 317-319. Tully-Sitchet, Christine. ‘Une nouvelle AFrique est en train de naître. Avec les femmes. Elles sont épatantes.’ In In Sembene Ousmane (1923-2007): Un Dossier Cordonne Par Thierno Ibrahima Dia Et Olivier Barlet En Collaboration Avec Boniface Mongo-Mboussa. Paris: L'Harmattan, 2009: 166-168. Vetinde, Lifongo J., & Fofana, Amadou T. Ousmane Sembene and the politics of culture. Lanham, Maryland: Lexington Books, 2014. Vieyra, Paulin Soumanou. Ousmane Sembène, cinéaste: Première période, 1962-1971. Paris: Présence Africaine, 1972.

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