Estrella Sendra Fernandez
Women and Sexuality in African Cinema
Sendra Fernandez, Estrella
Authors
Contributors
Karen Ross
Editor
Citation
Sendra Fernandez, E. (2020). Women and Sexuality in African Cinema. In K. Ross (Ed.), International Encyclopedia of Gender, Media, and Communication. Wiley. https://doi.org/10.1002/9781119429128.iegmc246
Acceptance Date | Jun 2, 2019 |
---|---|
Online Publication Date | Jul 8, 2020 |
Publication Date | May 15, 2020 |
Deposit Date | Apr 7, 2020 |
Publicly Available Date | May 16, 2120 |
Publisher | Wiley |
Peer Reviewed | Peer Reviewed |
Book Title | International Encyclopedia of Gender, Media, and Communication |
ISBN | 9781119429104 |
DOI | https://doi.org/10.1002/9781119429128.iegmc246 |
Keywords | Women, Gender, Sexuality, Cinema, Africa, Film, African Cinema, LGBTQ+ |
Additional Information | References : Amadiume, I. (2015). Male daughters, female husbands: Gender and sex in an African society. London: Zed Books. Arnfred, S. (2004). ‘African Sexuality/Sexuality in Africa: Tale and Silences.’ In Arnfred, Signe (ed.) (2004). Re-thinking sexualities in Africa. Uppsala: Nordiska Afrikainstitutet, 59-78. Bâ, S. M. & Taylor-Jones, K. E. (2012). ‘Affective passions: the dancing female body and colonial rupture in Zouzou (1934) and Karmen Geï (2001).’ In Bâ, S. M. & Taylor-Jones, K. E. (eds.) (2012). De-westernizing Film Studies. New York: Routledge, 53-66. Chahir, A. (2014). ‘Women in Moroccan Cinema: Between Tradition and Modernity.’ In Ogunleye, Foluke (ed.) (2014). African film: looking back and looking forward. Newcastle upon Tyne: Cambridge Scholars Press Ltd., 95-107. Dovey, L. (2009). African film and literature: Adapting violence to the screen. New York: Columbia University Press. Ellerson, B. (2005). ‘Visualizing Homosexualities in Africa Dakan: An Interview with Filmmaker Mohamed Camara.’ In Ouzgane, L. (ed.) (2005). African masculinities men in Africa from the late nineteenth century to the present. Basingstoke: Palgrave Macmillan. - (2000). Sisters of the screen: Women of Africa on film, video and television. Trenton, NJ: Africa World Press. Harrow, K. (2013). ‘Trashy Women: Karmen Geï, L’Oiseau Rebelle.’ In Harrow, K. (2013). Trash: African cinema from below. Bloomington: Indiana University Press. Lindner, K. (2012). ‘Situated bodies, cinematic orientations: Film and (queer) phenomenology.’ Bâ, S. M. & Taylor-Jones, K. E. (eds.) (2012). De-westernizing Film Studies. New York: Routledge, 152-165. Mistry, J. & Schuhmann, A. (eds.) (2015). Gaze Regimes: Film and Feminisms in Africa. Johannesburg: Wits University Press. Nnaemeka, O. (2004). ‘Nego-Feminism: Theorizing, Practicing, and Pruning Africa’s Way.’ In Signs, 29 (2), 357-385. Pfaff, F. (1996). ‘Eroticism and sub-Saharan African Films.’ In Bakari, I. & Cham, M. B. (eds.) (1996). African experiences of cinema. London: British Film Institute, 253. Powrie, P. (2004). ‘Politics of Embodiment in Karmen Geï.’ In Quarterly Review of Film and Video, (21) 4, 283-291. Sendra, E. (2018). ‘Situando el cine francófono africano en Colombia: la isla de Gorée en el cine senegalés.’ In Giraldo Barreto, M. & Rodríguez, J. A. (eds.) (2018). Catálogos razonados: Muestra Afro. Bogotá: Cinemateca Distrital. Gerencia de Artes Audiovisuales, 76-99. Steedman, R. (2016). Stories of Our Lives dir. by Jim Chuchu (review). In African Studies Review, 59(1), 236-237. Tcheuyap, A. (2005). ‘African Cinema and Representation of (Homo)Sexuality.’ In Veit-Wild, F. & Naguschewski, D. (eds.) (2005). Body, sexuality, and gender: Versions and Subversions in African Literatures 1. New York: Rodopi, 143-156. Zabus, C. (2013). Out in Africa: Same-sex Desire in Sub-Saharan Literatures and Cultures. Cambridge: Cambridge University Press. |
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