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Intermediality in Academia: Creative Research through Film (2023)
Journal Article
Dovey, L. (2023). Intermediality in Academia: Creative Research through Film. Arts, 12(4), 169. https://doi.org/10.3390/arts12040169

This article provides an overview of the recent flourishing of research and pedagogy in higher education that seeks a greater rapprochement between criticism and creativity, bringing together diverse media, disciplines, and modes of knowledge product... Read More about Intermediality in Academia: Creative Research through Film.

รายงานการสำรวจและขุดค้นทางโบราณคดีแหล่งโลหกรรม ในเขตลุ่มน้ำยมตอนบน กับการวิเคราะห์ตีความเกี่ยวกับกระบวนการผลิตโลหะสมัยสุโขทัย [Survey and Excavation Report on Metallurgical Sites in the Upper Yom River Basin, and an Initial Analysis of Metallurgical Production in the Sukhothai Period] (2023)
Journal Article
Theerasak, T. (2023). รายงานการสำรวจและขุดค้นทางโบราณคดีแหล่งโลหกรรม ในเขตลุ่มน้ำยมตอนบน กับการวิเคราะห์ตีความเกี่ยวกับกระบวนการผลิตโลหะสมัยสุโขทัย [Survey and Excavation Report on Metallurgical Sites in the Upper Yom River Basin, and an Initial Analysis of Metallurgical Production in the Sukhothai Period]. Pratu (London), 2(Report 2), 1-23. https://doi.org/10.25501/SOAS.00039943

รายงานนี้เป็นส่วนหนึ่งของโครงการศึกษาวิจัยพัฒนาการทางสังคมและวัฒนธรรมก่อนกำเนิดรัฐสุโขทัย ดำเนินงานโดยสำนักศิลปากรที่ 6 สุโขทัย โดยมีประเด็นเรื่องพัฒนาการด้านโลหกรรมเป็นคำถามสำคัญหนึ่งของงานวิจัย เนื่องจากงานศิลปกรรมสำริดในสมัยสุโขทัยเป็นหลักฐานสำคัญ... Read More about รายงานการสำรวจและขุดค้นทางโบราณคดีแหล่งโลหกรรม ในเขตลุ่มน้ำยมตอนบน กับการวิเคราะห์ตีความเกี่ยวกับกระบวนการผลิตโลหะสมัยสุโขทัย [Survey and Excavation Report on Metallurgical Sites in the Upper Yom River Basin, and an Initial Analysis of Metallurgical Production in the Sukhothai Period].

Wu Changshi (吳昌碩 1844–1927) (2023)
Book Chapter
McCausland, S. (2023). Wu Changshi (吳昌碩 1844–1927). In J. Lovell, & J. Harrison-Hall (Eds.), Creators of Modern China: 100 Lives - From Empire to Republic, 1796-1912. Thames and Hudson

“More Metal than Metal”: Preliminary Reflections on Imagined Genealogies (2023)
Journal Article
Monteanni, L. “More Metal than Metal”: Preliminary Reflections on Imagined Genealogies. Brief encounters, 1(7), https://doi.org/10.24134/be.v7i1.3

Réak is the Bandung subregional variant of the “horse trance dances”: a popular group of animist performances present throughout and outside Indonesia. During theevent, a trance master coordinates a series of spirit possessions with themusical accomp... Read More about “More Metal than Metal”: Preliminary Reflections on Imagined Genealogies.

“Èsù Láàlú Ọmọkùnrin Òde”: The Being in/between Aesthetic-Ethical Entanglements (2023)
Book Chapter
Bello, S. A. “Èsù Láàlú Ọmọkùnrin Òde”: The Being in/between Aesthetic-Ethical Entanglements. In P. Oloko, M. Ott, P. Simatei, & C. Vierke (Eds.), Decolonial Aesthetics II: Modes of Relating (155-161). J.B. Metzler. https://doi.org/10.1007/978-3-662-66222-9_14

This paper aims to discuss the being of Èsù in/between the undercurrents of aesthetic-ethical entanglements in the contemporary artworld. It draws its critical tools from Ọ̀rúnmìlà/Yorùbá oral philosophy and explores various manifestations of Èsù in... Read More about “Èsù Láàlú Ọmọkùnrin Òde”: The Being in/between Aesthetic-Ethical Entanglements.

Ut sophistes pictor: An Introduction to the Sophistic Contribution to Aesthetics (2023)
Journal Article
Lapraik Guest, C. (2023). Ut sophistes pictor: An Introduction to the Sophistic Contribution to Aesthetics. Humanities, 12(4), 58. https://doi.org/10.3390/h12040058

This essay provides an introduction to the question of the contribution of the ancient sophists to aesthetics in Western art. It commences by examining the persistent analogies to visual arts in negative and positive discussions of sophistry, both ph... Read More about Ut sophistes pictor: An Introduction to the Sophistic Contribution to Aesthetics.

Visual Sources (2023)
Book Chapter
Blair, S., & McCausland, S. (2023). Visual Sources. In M. Biran, & H. Kim (Eds.), Cambridge History of the Mongol Empire (1349-1398). Cambridge University Press. https://doi.org/10.1017/9781316337424.045

An integrated essay, co-authored with Sheila Blair, on visual sources for all the regions of the Mongol empire. This chapter provides an overview of the copious material production that occurred during the centuries when the Mongols dominated much of... Read More about Visual Sources.

Expecting the Unexpected: New Archaeological Finds at the Shwedagon Pagoda [မျှော်မှန်းမထားသည်များအတွက်ကြိုတင်ပြင်ဆင်ထားပါ – ရွှေတိဂုံစေတီတော်မှ အသစ်တွေ့ရှေးဟောင်းသုတေသနအထောက်အထားများ] (2023)
Journal Article
Saw, T. L. (2023). Expecting the Unexpected: New Archaeological Finds at the Shwedagon Pagoda [မျှော်မှန်းမထားသည်များအတွက်ကြိုတင်ပြင်ဆင်ထားပါ – ရွှေတိဂုံစေတီတော်မှ အသစ်တွေ့ရှေးဟောင်းသုတေသနအထောက်အထားများ]. Pratu (London), 2(Report 1), 1-20. https://doi.org/10.25501/SOAS.00039642

The Shwedagon Pagoda situated on Singuttara Hill in the centre of Yangon, is traditionally believed to have existed during the lifetime of the Buddha. Some archaeological remnants of earlier periods have occasionally been found during renovation and... Read More about Expecting the Unexpected: New Archaeological Finds at the Shwedagon Pagoda [မျှော်မှန်းမထားသည်များအတွက်ကြိုတင်ပြင်ဆင်ထားပါ – ရွှေတိဂုံစေတီတော်မှ အသစ်တွေ့ရှေးဟောင်းသုတေသနအထောက်အထားများ].

Pemulangan Benda Cagar Budaya dan Identitas Nasional pada Era Pascakolonial di Indonesia (2023)
Journal Article
Sapardan, W. (2023). Pemulangan Benda Cagar Budaya dan Identitas Nasional pada Era Pascakolonial di Indonesia. Pratu (London), 2(Article 2), 1-15. https://doi.org/10.25501/SOAS.00039539

Dalam konteks pascakolonial, pemulangan benda cagar budaya seringkali dikaitkan dengan penguatan identitas budaya dan nasional dari masyarakat bekas wilayah jajahan. Dengan fokus utama pada kehidupan sebuah objek yaitu arca Prajñāpāramitā, makalah in... Read More about Pemulangan Benda Cagar Budaya dan Identitas Nasional pada Era Pascakolonial di Indonesia.

Recursion, Remembering and Re-telling Time in the Stupas of Pagan [ပုဂံဘုရားပုထိုးများအကြောင်း ထပ်တလဲလဲ အဓိပ္ပါယ်ဖွင့်ဆိုခြင်း၊ အမှတ်ရခြင်းနှင့် အချိန်အား ပြန်ပြောင်းပြောဆိုခြင်း] (2023)
Journal Article
Yeo, M. S. E. (2023). Recursion, Remembering and Re-telling Time in the Stupas of Pagan [ပုဂံဘုရားပုထိုးများအကြောင်း ထပ်တလဲလဲ အဓိပ္ပါယ်ဖွင့်ဆိုခြင်း၊ အမှတ်ရခြင်းနှင့် အချိန်အား ပြန်ပြောင်းပြောဆိုခြင်း]. Pratu (London), 2(Article 1), 1-16. https://doi.org/10.25501/SOAS.00039538

This article examines how time is recursively presented and structured by the stupas of Pagan to form a chronological narrative, and to what purpose. Recursion — the reproduction of something within itself in a potentially infinite pattern — is seen... Read More about Recursion, Remembering and Re-telling Time in the Stupas of Pagan [ပုဂံဘုရားပုထိုးများအကြောင်း ထပ်တလဲလဲ အဓိပ္ပါယ်ဖွင့်ဆိုခြင်း၊ အမှတ်ရခြင်းနှင့် အချိန်အား ပြန်ပြောင်းပြောဆိုခြင်း].

Calling the Earth to Witness (2023)
Digital Artefact
Thompson, A. (2023). Calling the Earth to Witness. [Post: Notes on Art in a Global Context]

In relation to the Māravijaya, an occurrence in the Buddha’s life that is commonly represented in Cambodian art, and Letters from Panduranga, a video work by artist and filmmaker Nguyễn Trinh Thi, art historian Ashley Thompson discusses ideas of land... Read More about Calling the Earth to Witness.

Pluralistic Unity: The Social Life of Duoyuan yiti in China (2023)
Journal Article
Wei, X. (2023). Pluralistic Unity: The Social Life of Duoyuan yiti in China. Inner Asia, 25(1), 23-38. https://doi.org/10.1163/22105018-02501003

This essay examines the term duoyuan yiti, ‘pluralistic unity’, in cultural and artistic contexts in China and its use in everyday speech in the form of cultural metaphors. It briefly introduces the history of this term and provides examples of its u... Read More about Pluralistic Unity: The Social Life of Duoyuan yiti in China.

Alchi, Ladakh’s Hidden Buddhist Sanctuary (2023)
Book
Luczanits, C., Poncar, J., Linrothe, R. N., Martin, N., Neuwirth, H., Auer, C., Goepper, R., & Dasser, K. L. (2023). C. Luczanits, & J. Poncar (Eds.). Alchi, Ladakh’s Hidden Buddhist Sanctuary. Serindia

The monastic complex of Alchi is undoubtedly one of the most important and fascinating monuments preserved in the Himalayas. With its earliest monuments dating from the late twelfth to the mid-thirteenth centuries, it provides unique insight into the... Read More about Alchi, Ladakh’s Hidden Buddhist Sanctuary.

Mainland Southeast Asia after Angkor: On the Legacies of Jayavarman VII (2023)
Book Chapter
Thompson, A. (2023). Mainland Southeast Asia after Angkor: On the Legacies of Jayavarman VII. In M. Hendrickson, M. T. Stark, & D. Evans (Eds.), The Angkorian World. Routledge. https://doi.org/10.4324/9781351128940-39

The reach of Angkor will always exceed the territorial and temporal delimitation which historians and politicians alike seek to give it; indeed, attempts to pin down dates and borders shed light on the uncontainability of empire which defines empire,... Read More about Mainland Southeast Asia after Angkor: On the Legacies of Jayavarman VII.

The Scattered Court: Hindustani Music in Colonial Bengal (2023)
Book
Williams, R. D. (2023). The Scattered Court: Hindustani Music in Colonial Bengal. The University of Chicago Press. https://doi.org/10.7208/chicago/9780226825441.001.0001

How far did colonialism transform north Indian music? In the period between the Mughal empire and the British Raj, how did the political landscape bleed into aesthetics, music, dance, and poetry? Examining musical culture through a diverse and multil... Read More about The Scattered Court: Hindustani Music in Colonial Bengal.

Calonarang Transformed (2023)
Digital Artefact
Gray, N., Hobart, M., Pujawati, N. M., & Shipster, R. Calonarang Transformed. [Video]