'Tradition and Myth' and 'Korean Instruments' (2011)
Other
Howard, K. (2011). 'Tradition and Myth' and 'Korean Instruments'

Two articles positioning Tae-Suk Oh's 'The Tempest', a performance at the 2011 Edinburgh International Festival.

'The Legend of Princess Bari' and 'A Korean Collage' (2011)
Other
Howard, K. (2011). 'The Legend of Princess Bari' and 'A Korean Collage'

A historical account of the Korean legend of Princess Bari (Pari kongju), together with an account of contemporary multi-media artistic production in the Republic of Korea.

Review of Suk-Young Kim, Illusive Utopia: Theater, Film and Everyday Performance in North Korea (2011)
Journal Article
Howard, K. (2011). Review of Suk-Young Kim, Illusive Utopia: Theater, Film and Everyday Performance in North Korea. Bulletin of the School of Oriental and African Studies, 74(3), 528-530. https://doi.org/10.1017/S0041977X11000723

Redefining Koreanness: North Korea, musicology, ideology, and ‘improved’ Korean instruments (2011)
Book Chapter
Howard, K. (2011). Redefining Koreanness: North Korea, musicology, ideology, and ‘improved’ Korean instruments. In R. Frank (Ed.), Exploring North Korean Arts (181-191). University of Wien/MAK

A discussion of North Korea's 'improved' musical instruments, developed from traditional Korean instruments, but adapted with an eye to the versatility of Western orchestral equivalent instruments. Historical and contemporary dimensions, manufacturin... Read More about Redefining Koreanness: North Korea, musicology, ideology, and ‘improved’ Korean instruments.