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Authenticity and Authority: Conflicting Agendas in the Preservation of Music and Dance at Korea's State Sacrificial Rituals (2012)
Book Chapter
Howard, K. (2012). Authenticity and Authority: Conflicting Agendas in the Preservation of Music and Dance at Korea's State Sacrificial Rituals. In K. Howard (Ed.), Music as Intangible Cultural Heritage: Policy, Ideology and Practice in the Preservation of East Asian Traditions (113-140). Ashgate

Moving from an overview of Korea's state-sponsored preservation and promotion system for the intangible cultural heritage, this chapter explores the music and dance at the two state sacrificial rituals, the Rite to Confucius and the Rite to Royal Anc... Read More about Authenticity and Authority: Conflicting Agendas in the Preservation of Music and Dance at Korea's State Sacrificial Rituals.

East Asian Music as Intangible Cultural Heritage (2012)
Book Chapter
Howard, K. (2012). East Asian Music as Intangible Cultural Heritage. In K. Howard (Ed.), Music as Intangible Cultural Heritage: Policy, Ideology and Practice in the Preservation of East Asian Traditions (1-22). Ashgate

An overview of legislation and practice in the preservation and promotion of music as Intangible Cultural Heritage globally, an assessment of relevant literature, and statements about the systems for preservation and promotion in China, Japan, Korea... Read More about East Asian Music as Intangible Cultural Heritage.

SamulNori: Korean drums (and gongs) of affection (2012)
Journal Article
Howard, K. (2012). SamulNori: Korean drums (and gongs) of affection. The world of music (Wilhelmshaven), 1(1), 15-35

SamulNori, first performed in 1978, is now both a celebrated quartet of percussionists and a genre of percussion music. This is the first of four articles to explore its contemporary manifestation and to project forward, using interview and other mat... Read More about SamulNori: Korean drums (and gongs) of affection.